Egyptian Music: Honoring the Legacy of Oum Kalthoum in Cairo

Tributes to the legendary singer Oum Kalthoum can be found throughout Cairo.  My three favorites, which I’ll highlight in this post, are:

  1. The Oum Kalthoum Museum
  2. The Oum Kalthoum Café along Muez Street
  3. The Oum Kalthoum Hotel

Who Was Oum Kalthoum and Why Does She Matter?

Oum Kalthoum was a beloved singer who became known as “The Voice of Egypt”, “The Lady”, the “Star of the East”, and “The Fourth Pyramid”. When she died in 1975, over 4 million Egyptians lined the streets for her funeral cortege. Today, Oum Kalthoum’s music continues to be part of the soundtrack of modern Egyptian life, with radio and satellite television stations who play solely her music.

Oum Kalthoum continues to inspire listeners all over the world. Belly dancers around the world use her music for their performances. In 1978, three years after she passed, Bob Dylan told Playboy Magazine in an interview, “She’s dead now but not forgotten. She’s great. She really is. Really great.”  My local Egyptian restaurant in Coralville, Iowa  plays her music via satellite television for ambience. Many taxi drivers in Egypt tune their radios to stations that play her music. She was truly a great talent, and remains an important voice in world music.

Visiting the Oum Kalthoum Museum

The Oum Kalthoum Museum on Rhoda Island offers a glimpse into the life of this great artist.

As you enter the museum, it’s possible to purchase a permit for using a camera to take photos. However, flash is forbidden.  Photos must use available light. Fortunately, my 35mm camera and my cell phone camera both work very well with available light.

There is a 15-minute documentary video that visitors to the museum can watch to learn a bit about Oum Kalthoum, her music, and why she was so beloved by the Egyptian people.  I highly recommend taking the time to watch it, because it really helps put her life in perspective.

The first exhibit inside the entry showcases some of the dresses that Oum Kalthoum wore during her performances.

Oum Kalthoum’s iconic diamond-encrusted crescent brooch is displayed in the museum.

Photo copyright 2017 by Jewel. All rights reserved.

Several photo collages show scenes from Oum Kalthoum’s life.  Each one shows photos from certain eras. My favorite is the collage of her later years, which centers around a photo of Oum Kalthoum with Badia Masabni, a legendary nightclub owner. Oum Kalthoum is the one wearing the dark glasses. In her later years, she always wore dark glasses because a thyroid condition caused her to develop bulging eyes.  This condition can always cause dryness and sensitivity to light.

Several photos of Oum Kalthoum’s family life appear in the museum.  This one shows her with her brother.

A variety of Oum Kalthoum’s personal possessions are on display.  For example, one display cabinet shows some of her shoes and handbags.

Photo copyright 2017 by Jewel. All rights reserved.

Several pairs of her diamond-studded glasses are displayed:

The museum also features original vinyl records, sheet music, awards that Oum Kalthoum received in her lifetime, and many more mementos of her life.  It’s an inspirational way to spend an hour or two, soaking up the nostalgia.

When I visit, I also enjoy walking around the grounds a bit.  Rhoda Island’s landscaping is very inviting, and the island offers beautiful views of the Nile River.

Just outside the museum, an abstract statue of Oum Kalthoum captures just enough of her iconic imagery to be recognizable. On her chest is the crescent-shaped diamond brooch whose photo appeared above, and in her hand she holds a handkerchief.  She always held a handkerchief when performing.

Photo copyright 2017 by Jewel. All rights reserved.

A second sculpture outside of the museum shows a musical staff with notes. I’m very fond of this one.

Photo copyright 2018 by Jewel. All rights reserved.

The museum lies within easy walking distance of the historic Nilometer, which is also worth visiting while there.

Sipping Tea at the Oum Kalthoum Café

Just off of Moez Street, near Khan al-Khalili and Bab al-Futuh, the Oum Kalthoum Café offers an opportunity to sit for a while and enjoy the ambience of Cairo.

Photo copyright 2016 by Jewel. All rights reserved.

A statue of Oum Kalthoum posing with mushrooms greets you at the entrance of the cafe.  Inside, you can listen to her music continuously as you sip your tea and watch the the world go by.

Staying at the Oum Kalthoum Hotel

When Oum Kalthoum was alive, she lived in a villa along the Nile on Zamalek Island. After her death, her property was sold, the villa razed, and a hotel built on the land.  The beautiful hotel that stands there today is designed to honor her life’s work.

A statue of Oum Kalthoum greeted our tour bus as we approached the hotel.

Statue near the Oum Kalthoum Hotel.

Throughout the lobby, photos of Oum Kalthoum evoke memories of the singer as the sound system continuously plays her music.  I enjoy sitting in the lobby and simply listening.  The furniture consists of historic pieces from the mid 20th century, aligning with the period when Oum Kalthoum rose to fame.

Photo copyright 2018 by Jewel. All rights reserved.

The hallways of the first two floors feature furniture that once belonged to Oum Kalthoum, including mirrors in elaborate wood frames, elegant upholstered chairs, and tables.

When I stayed at the hotel in April 2018, I was fortunate to receive a room with a Nile view on the second floor, where I could walk past these mementos every day. Each room of the hotel, in addition to having a room number, also bears the name of one of her songs. I hope to be assigned the room Leylet Hob the next time I stay there!

Egypt – Why Have I Gone Back So Many Times?

I’ve been to Egypt 13 times since my first visit in 1999, and often when I tell people I’m planning another trip, they’re astonished!  Many of my friends and family are mystified by this. They ask me, somewhat disbelieving, “Why????  Haven’t you seen it all already?”

The short answer is, “I love Egypt!”

The longer answer is that Egypt offers much more to appreciate than  pyramids.  I do find ancient civilizations fascinating, and I always enjoy returning to my favorite Pharaonic temples, tombs, and monuments.  But, that’s just the beginning of what I love about Egypt.

Architecture

Many spectacular historic buildings remain as testimonial of bygone times.  I continue to discover beautiful architectural jewels, including mosques, houses, wikalas, cisterns, and more. This photo shows the interior of a historic Ottoman home known as Bayt Suhaymi, which was built in 1648:

Photo copyright 2017 by Jewel. All rights reserved.

I also enjoy the modern-day vibrant neighborhoods of traditional cultures, such as beautifully decorated Nubian houses. The photo below shows an interior room of a Nubian house in Gharb Saheil, a neighborhood of Aswan.

Photo copyright 2017 by Jewel. All rights reserved.

Incredible History AFTER the Era of the Pharoahs

Egypt has long been an important centerpiece of Islamic culture, and actually remains so today.  From 1174 to 1517, the Fatimid Caliphate was centered in Egypt. The al-Azhar University in Cairo was founded in 970, and remains an important center of scholarship in the Koran.

In addition, Egypt was a prominent stop for trade caravans.  During the time of the Crusades, Saladin built a landmark called The Citadel to protect Cairo from the Crusaders if they should ever make it all the way to Egypt. (They didn’t.)

This photo shows the minarets of the Mosque of al-Muayyad rising above Bab Zuwayla, which is a gate to the city of Cairo dating back to the 11th century.

Photo copyright 2018 by Jewel.

Cairo is rich in museums that celebrate its history, such as the Citadel, the Islamic Art Museum, and the Oum Kalthoum museum.  In Aswan, the Nubian Museum pays tribute to the ancient, vibrant culture of the Nubian people that coexisted with the Pharaohs.

Everywhere I turn in Egypt, I find signs of bygone times.  I learn so much about history by simply learning the stories behind the places I visit.

Cultural Arts

Egypt has served as a crossroads for many ethnic groups throughout history, including the people of ancient Egypt, the Greeks, the Bedouins, the Nubians, the Amazigh of the Western Desert, and more.  Each of these cultures enjoys its own distinct traditions of music, dance, textiles, and other expressive arts. I take great pleasure in attending traditional cultural shows at El Dammah Theater, the Mazaher Ensemble at Makan Theater, and the tannoura show at Wikala el-Ghouri.

Often, I’m introduced to cultural experiences that are new to me.  For example, in 2016, which was my 11th visit to Egypt, I saw a Nubian music concert at the El Dammah theater featuring an instrument known as a rango. In 2018, I saw a concert of Port Said music and dance for the first time. It was also my first time of sitting at a Sufi tent in Luxor listening to the music of a zikr and watching the participants.

The photo below shows a Saidi ensemble performing at El Dammah Theater in Cairo. The musician on the left is playing a mizmar, which is a reed instrument that resembles an oboe. The one on the right is playing an arghool, which is a type of flute.

Photo copyright 2015 by Jewel. All rights reserved.

In addition, Egypt has long been a center for performing arts: music, theater, dance, and cinema. It’s still possible to visit remnants of the entertainment district of the early 20th century, including Emad el-Din Street and Azbakeya Garden. Some of these historic night spots are still open today, such as the Shahrzade next to Alfi Bek restaurant.  Historically, Egypt attracted aspiring performers from throughout the Arabic-speaking world who sought fame and fortune.

Today’s vibrant night life in Cairo features some of the top performers in the Arabic-speaking world.  I always enjoy going out to enjoy music and dance shows.  Even though I have seen some of them before, Egypt’s top performing artists are so inspiring that I enjoy seeing them over and over. This photo from 2017 shows Dina, Egypt’s top belly dancer:

Photo copyright 2017 by Jewel. All rights reserved.

No, I Haven’t Seen it All!

There are many parts of Egypt I have never seen, which I hope to visit someday.  My wish list includes the Siwa Oasis, the Fayoum Oasis, the Red Sea area, the town of Mersa Matrouh on the Mediterranean coast, the Amarna archaeological site at Minya, the Suez Canal, and the Hathor Temple at Dendera.

In addition, even when I visit sites I’ve seen before, I often notice things I didn’t previously notice.  For example, on my 8th visit to the Edfu Temple I noticed something I’d never seen there before: an image of a liturgical dancer holding his arms in the goofy bent-wrist-and-elbows pose that everybody thinks is representative of ancient Egyptian dance.  I’d been looking for evidence that such a dance posture actually existed in ancient Egypt for many years, but somehow never spotted it until my 2017 visit!

The People

Most importantly of all, I have come to feel a deep affection for the Egyptian people. I have come to appreciate their warmth, kindness, and hospitality.  Most of all, the Egyptian people are the reason I keep going back.

Related Blog Posts

These links lead to blog posts about some of my experiences mentioned in the above narrative:

 

Tannoura: The Whirling Dervishes of Egypt

In Egypt, one of the forms of entertainment you may encounter in tourist shows is the tannoura. This consists of whirling to music, which originated as a Sufi ritual, and today in Egypt has become an elaborate artistic performance.

How Whirling Started

During the 13th century, the legendary poet Mevlana Jalaleddin Rumi made his way to the town of Konya, Turkey, where he settled.  Rumi was a practitioner of Sufism, which is an implementation of Islam that embraces mysticism. He believed in music, poetry, and dance as being paths for connecting with God.

Under Rumi’s leadership, the Mevlevi sect of Sufism arose in Konya, Turkey. Its participants used whirling as their way to let go of their ego and connect with God. The photo below shows the garb that Turkish dervishes wear for their semas (whirling rituals).

Photo copyright by Jewel. All rights reserved.

After the Ottomans conquered Egypt in 1517, Turkish cultural influence began to make its way south to Egypt, and that included the Mevlevi whirling dervish sect.

The Egyptian Side of Whirling

Egypt’s tannoura performing art owes its origin to the Mevlevi practice sarted by Rumi, but modern-day performances of tannoura are designed to serve as entertainment, and therefore they incorporate showmanship techniques. Some retain the Sufi music and spiritual tone, while others have moved into a more secular direction.

The word “tannoura” means “skirt” in Arabic, and in this context refers to the skirts worn by the men. “Tannoura” has also come to refer to overall performance, and also the men wearing the skirts.  The Egyptian tannoura garb is very colorful, to enhance the spectacle.

Although Sufism exists in Egypt, the whirling tradition of the Turkish Mevlevi sect is not strong there. Instead, Egyptian Sufis prefer other movement formats.

In an Egyptian tannoura show, the whirlers manipulate the skirts to produce a variety of visual effects. Typically, the performer wears more than one skirt, which allows for the outer layers to be removed and used in the dancing. One level of skirt is sewn together at the outer edges, creating a cone effect when the top layer is raised above the head.

Photo copyright 2015 by Jewel. All rights reserved.

Another effect that tannoura performers create with their skirts is that of a whirling disk:

Photo copyright by Jewel, 2016. All rights reserved.

Cairo’s Al-Tannoura Egyptian Heritage Dance Troupe

The Al-Tannoura Egyptian Heritage Dance Troupe show at Wikala al-Ghouri is sponsored by the Egyptian Ministry of Culture.  It begins with a performance of spiritual Sufi music, featuring in turn different musical instruments, including the mizmar (shown below), the nai (a type of flute), the percussion, and the singers.

Photo copyright 2016 by Jewel. All rights reserved.

After the musical introduction to the show, the Sufi dancers take the stage. These men wear white gallabiyat (robes) with a vest over them.  Their movement is choreographed for the stage; however, it is based on authentic Sufi ritual movement.

Photo copyright 2016 by Jewel. All rights reserved.

The dance performed by these men in the white gallabiyat is typical of traditional Egyptian Sufi movement such as could be seen at a zikr (ritual) during an Egyptian moulid (saint’s day celebration). As they complete their featured segment, the tannoura enters the stage wearing a more colorful ensemble of multiple skirts over trousers.

Photo copyright 2015 by Jewel. All rights reserved.

The focus turns to the tannoura, as the Egyptian-style Sufi dancers to perform in formations of a line behind him, or a circle moving around him.  Often, the tannoura will begin the performance with a group of brightly-painted frame drums in his hands, holding them in a variety of formations while continuously whirling.  Eventually, he hands these drums off to one of the other men while still continuing to turn.

He then loosens the ties holding one of his skirts in place, and raises it up off of the ones below.  At this point, he may hold it in various formations such as those shown earlier in this article, always while continuing to turn in place.

Eventually, this performance draws to a close, and the tannoura leaves the stage.

Photo copyright 2015 by Jewel. All rights reserved.

Next, a group of three other tannouras enters the stage.  They too use their skirts to create a variety of visual effects as they whirl. For example, these two are rotating their skirts around their necks as they turn.

If you’d like to find this group on social media, click here for their Facebook page.

Other Tannoura Performers

Tannoura performers appear in a variety of shows throughout Egypt, including Nile dinner cruise boats, nightclubs, and other entertainment environments.  These shows often create a more secular feeling than those of the Al-Tannoura Egyptian Heritage Dance Troupe.

The tannoura performers in these other environments often use secular music instead of the traditional spiritual Sufi music.  They typically appear as soloists, and may use pre-recorded music instead of live musicians.

It has become trendy for many of these performers to have an assistant dim the stage lights part of the way through their shows, at which point they turn on LED lights which have been sewn into their costumes.

I have also seen tannoura dancers pull an Egyptian flag out of their vests and hold it high as they whirl.

Closing Thoughts

I have gone to see the Al-Tannoura Egyptian Heritage Dance Troupe perform about 15 times since the first time I saw them in 1999. Sometimes I’ll go twice during the same trip to Egypt. I have never grown tired of it.  I find the spiritual Sufi music to be uplifting, and the dance performances to be mesmerizing.  Often, after attending a show, I find myself feeling calmer, less stressed, and peaceful.

I also enjoy the individual tannoura performers that I have seen in Nile dinner cruise shows and “Egyptian party” shows at hotels.  The flavor is different because of the more secular tone, but it’s always fun to see the showmanship ideas that the performers add to their whirling.

Cairo, Egypt: The Tarboosh Maker

In Cairo, Egypt, a short walk from the historic Bab Zuwayla city gate, is Cairo’s last remaining tarboosh artisan shop.  Tarboosh is the word Egyptians use for what people in North America might call a fez.  This shop in the Khan al-Khalili market makes high-quality woolen tarbooshes by hand, in the traditional way. I visited it on April 23, 2018.

The tarboosh was fashionable among Egyptian men during the era of the Ottoman Empire.  Although the Ottoman Empire itself fell in 1920, the Ottoman viceroy in Egypt declared himself king and continued to rule until Egypt’s revolution in 1952.  Since 1952, the tarbooshes have declined in popularity, but the shop continues to generate enough business to continue making them.  They export them to many other Muslim countries such as Morocco and Tunisia.

The hand-operated tools are used to shape the tarbooshes.  Not only does the shop sell the hats, it also reshapes hats which have been crushed or rumpled through wear.

The photo below shows how the hats are shaped.  The shop is equipped with several different sizes of brass molds.  These molds come in pairs, with one being slightly larger than the other.  First the artisan stretches a tarboosh over the smaller mold in the pair, as he is doing in the photo below. Then he presses over it the heated larger mold, so that the woolen fabric is held between the two.

The photo below shows the interior of a tarboosh.  The red felt outer layer is made of wool.  Inside it, the stiffening layer is made from palm.  A lining around the inner edge protects the head from the scratchy texture of the palm.

Our guide had grown up as a boy near this shop.  He told us that he always liked to run past the shop and use his fist to crush the tarbooshes that were on display.  One day, the shop owner caught him, and recognized him, and complained to his father.  His father was very angry, and beat him for it.  However, the next day the mischievous boy did it again!

Today, he laughs as he tells the story.  I don’t think he’s sorry at all!

About My Egypt Travels

For several of my trips to Egypt, I have traveled with Sahra Kent, through her Journey Through Egypt program.  The tarboosh shop is one of the places I have discovered through traveling with her.  I highly recommend the Journey Through Egypt program to anyone who is interested in a cultural perspective of Egypt.

Cairo’s Mazaher Ensemble: The Zar Musicians

Cairo offers an opportunity for visitors to see Egypt’s remaining vestiges of an East African practice known as a zar ritual.  It is no longer legal in Egypt to conduct zar rituals; however, it is still possible to see performances of the music used for them.

About the Zar Ritual

A zar is a spirit which is believed to inhabit people, especially women. When the woman’s life is in balance, she and the spirit can coexist in peace. However, sometimes the woman begins to suffer stress, become irritable, or fall ill.  In those cases, in order for her to recover, it may be necessary to appease the zar spirit. The purpose of a zar ritual is to perform that appeasement.

In a traditional zar ritual in Egypt, a woman would surround herself with other women who are a meaningful part of her life: sisters, cousins, friends, etc.  They would sacrifice a chicken, and engage a band of musicians capable of performing the specialty music required for the ritual.

According to tradition, there are many different zar spirits which can inhabit a person. Each such spirit responds to a different song and rhythm. The musicians would perform several different songs, aiming to find the music required to appease the particular spirit that has inhabited the woman. As the music progresses, the participants are drawn into a state of ecstatic dance.

The Mazaher Ensemble

The Mazaher ensemble are among the final zar practitioners in Egypt. Although the law no longer allows them to conduct full zar ceremonies, it is possible to hear them perform concerts of the music that accompanies the ceremonies.  I have seen them perform several times at the Makan Theater in Cairo. It is a captivating show, and I always enjoy seeing it again whenever I return to Egypt.

The lead singer, standing in front, is Rayyisah Madiha, often known as Umm Sameh (“mother of Sameh”).

Show Format

The show has varied a bit from one time I’ve seen it to another. The primary segment consists of Cairo zar music, with vocals by Umm Sameh, accompanied by the other women on drums. Another segment I have seen every time is described as a Nubian zar, which features different music and instruments in order to reach the different regional spirits associated with southern Egypt and Sudan.

Other details of the show have varied from one year to the next. For example, when I saw the show in 2016, Sameh performed a solo of Sufi music, but other times when I’ve seen the show he did not do so.

Sameh
Sameh of the Mazaher Ensemble sings and plays a frame drum. February 10, 2016.

Nubian Zar

Nubia is the region spanning southern Egypt and the Sudan.  The Nubian zar uses different instruments from those used for the Cairo-based zar, and the spirits it targets are different.

Tamboura
This photo was taken February 11, 2015.

The tamboura, a type of lyre, is shown in the photo above. It is particularly typical of Nubian music; not only for Nubian zar rituals, but also for secular folk music.

Nubian Zar
I took this photo when watching the show at Makan Theater on February 10, 2016.

For the Nubian section of the show, one of the musicians picks up the tamboura to play it, as shown by the man seated in the back, wearing the white gallabiya.  The belt that the two other men strap around their hips is known as a mangour.

I took this photo of one of the musicians wearing a mangour when watching the show at Makan Theater on February 10, 2016.

The mangour is a percussion instrument constructed from attaching many small goat hooves to a backing of fabric or leather. The men shake their hips in a rhythmic fashion, causing the goat hooves to strike each other, producing a rattling sound.

In the photo below, the men are not only shaking their hips to make noise with the mangour, they are also using handheld rattles.

Nubian Zar
I took this photo when watching the show at Makan Theater on February 10, 2016.

Posing with the Star

When I saw the show in 2016, Madiha graciously agreed to pose for a photo with me after it was over.  It can be difficult to get a photo with her, because of how many people swarm her after the show seeking photos as I did!

This photo was taken February 10, 2016.

About the Makan Theater

The Makan Theater, which hosts the Mazaher Ensemble’s zar music shows, is at 1 Saad Zaghloul St. El Dawaween 11461 Cairo. Their telephone number is +202 2792 0878, and email address is [email protected]. In addition to presenting the Mazaher Ensemble shows, they have also offered other shows of traditional Egyptian music, including Sufi music, Nubian, and more.

To Learn More About Zar

There is a series of three music CD’s that I recommend if you’d like to listen to zar music in your home.  Each of these CD’s comes with a different informative booklet with detailed information about zar traditions. If you search for them online, look for the artist name of Awlad Abou al-Gheit:

  • Zar: Trance Music for Women
  • Zar 2: Tumboura
  • Zar 3: Harim Masri

Also, I recommend the book Trance Dancing with the Jinn: The Ancient Art of Contacting Spirits Through Ecstatic Dance by Yasmin Henkesh.  Yasmin is a meticulous researcher whom I respect highly. 

About My Egypt Travels

For several of my trips to Egypt, I have traveled with Sahra Kent, through her Journey Through Egypt program.  The Makan Theater is one of the places I have discovered through traveling with her.  I highly recommend the Journey Through Egypt program to anyone who is interested in a cultural perspective of Egypt.

Cairo’s El Dammah Theater: Rango Band

In 2016, I went with a group to El Dammah theater in Cairo to see a show featuring top Egyptian-Sudanese musicians playing Nubian music.

About El Dammah

El Dammah is a small black box theater with about 100 seats that features musicians playing authentic traditional music. The organization that operates it is El Mastaba Center for Egyptian Folk Music.

El Dammah presents a show every Thursday night.  There are several different musical acts that it rotates through the lineup.  So far in my trips to Egypt, I have seen 3 different bands there.  One of them was Rango.

El Dammah is located at 30 A El Belaasa St, Abdeen, in downtown Cairo, Egypt. The phone number is +20 115 099 5354, and email address is [email protected].

Rango

The photo at the top of this post shows Hassan Bergamon playing a musical instrument called a rango, which resembles a xylophone.  The small version that was played in this show could be called a kamba. It’s a very traditional instrument from the southern part of Sudan. It nearly died out in the 1970’s, but the art has been kept alive. According to our contact at El Dammah, today there are only 7-8 people left in Africa who still know how to play one.

This photo shows up closeup view of the rango:

The musicians also played additional traditional instruments from Egypt and the Sudan.  Below, one of the men is holding a rattle in each hand, which is known as the shukh-shaykh.

Below, we can see Hassan Bergamon playing another instrument, the simsimiyya. It is a type of lyre, which resembles a larger, similar instrument known as the tamboura.

The angle of the photo above makes it difficult to see what a simsimiyya looks like.  The photo below provides a clearer view. In it, a member of the El Dammah staff holds up two examples of a simsimiyya.

The drummers served a vital role in the show.  They were excellent, and worked very well together with the others as an ensemble. It was truly a memorable performance.

The show opened with a performance of songs while everyone listened, then the musicians started recruiting audience members to get up and dance with them. By the end, the event felt more like a party than it did a music performance, but that was part of what made it such an entertaining evening. The quality of the music was definitely world class!

I’m already looking forward to my next visit to El Dammah, to enjoy whatever music they offer the next time I’m in Cairo!

About My Egypt Travels

For several of my trips to Egypt, I have traveled with Sahra Kent, through her Journey Through Egypt program.  El Dammah Theater is one of the places I have discovered through traveling with her.  I highly recommend the Journey Through Egypt program to anyone who is interested in a cultural perspective of Egypt.

 

Cairo’s Agricultural Museum: The Wedding Scene

The Agriculture Museum in Cairo, Egypt is a treasure that most tourists visiting Egypt have never heard of, and never been to. It resides inside a former palace, so even the architecture is well worth taking a moment to enjoy.  I think maybe the museum opened in the 1950’s, but I could be wrong about that. It’s very kitschy, in a way that I find very appealing! The museum is near the Giza zoo and the Cairo Opera House.

On the ground floor, there is a series of tableaux showing what a rural wedding was like as of the 1950’s. It provides insight into what people wore, and what their customs were surrounding weddings.

Wedding Preparations

Fortuneteller in Agricultural Museum
A fortuneteller casts the stones to view omens for an upcoming wedding.

The above photo shows a fortuneteller casting the stones to view the omens for an upcoming wedding.

In Muslim tradition, weddings do not involve a religious ceremony the way traditional Christian weddings do.  Instead, there is a legal contract, which is signed by the men of the two families with witnesses. The photo below shows the men conducting this business.

While the men of the bride and groom’s families complete the contract transaction, the women of the households prepare for the wedding party that will follow.

The tableau pictured below shows a woman bringing a tray of drinks from the kitchen to serve to the other women as they wait.

As the women wait, one of them goes to the roof to the pigeon hut, to select a pigeon to serve for the meal at the celebration.

The photo below shows a belly dancer and a drummer performing for the bride and the women of her family while they wait for the men to be ready for the procession.  The dancer, of course, is the one with the most vibrant makeup!

A dancer entertains the bride and her family in this tableau of a wedding at the Agricultural Museum.

The Procession

One of the wedding-related exhibits shows the zeffa (bridal procession) in which the people of a village carry a bride in a howda to the wedding party.

The photo below shows the men leading the zeffa, playing musical instruments and doing balancing tricks. Behind them is a camel carrying a large decorated wooden box known as a howda with the bride sitting inside.

Wedding Procession
Performers lead a wedding procession in this tableau at the Agricultural Museum.

This photo shows a closeup of the camel bearing the front part of the bride’s howda.

The next photo shows the bride inside her howda.  This angle of the photo doesn’t show it, but a little boy is inside it with her.  His role would be to leave the howda and fetch anything she needs.

Wedding Procession Bride
In this tableau of a rural Egyptian wedding procession, the bride is carried inside a litter.

I have visited the Agricultural Museum several times, and it’s always fun to see it again.  In addition to the scenes of rural life, the main building also houses many other exhibits, including farm animals, insects, and more.   A separate building is dedicated to exhibits of Syria, referencing a period from 1958 to 1961 when Egypt and Syria banded together to create the United Arab Republic.

About My Egypt Travels

For several of my trips to Egypt, I have traveled with Sahra Kent, through her Journey Through Egypt program.  This Agricultural Museum is one of the places I have discovered through traveling with her.  I highly recommend the Journey Through Egypt program to anyone who is interested in a cultural perspective of Egypt.

African Renaissance Monument in Dakar, Senegal

One of the more spectacular landmarks in Dakar, Senegal is the African Renaissance Monument, known in French as Le Monument de la Renaissance Africaine.  It shows a man, woman, and child emerging from a volcano.  It sits high on a hill overlooking the Atlantic Ocean.  At 160 feet (45 meters) tall, it’s the tallest statue in Africa, making it taller than the Statue of Liberty.

At the time this status was unveiled in 2010, marking 50 years of independence from France, Senegal’s President Abdoulaye Wade said, “It brings to life our common destiny. Africa has arrived in the 21st century standing tall and more ready than ever to take its destiny into its hands”.  The event featured hundreds of drummers and dancers.  I would have loved to have seen that!

Many people in Senegal were not supportive of the statue, criticizing it for various reasons.  For example:

  • Local Senegalese artists criticized the fact that the contract to design it was awarded to a Romanian architect and the contract to build it was awarded to a North Korean company. Why not use local talent?
  • Some have pointed out that the facial features don’t look particularly African.
  • It cost $27 million dollars, which was a big concern in a country where many live below the poverty line.
  • The skimpy clothing of the family does not represent the more modest preferences of the country’s Muslim majority. (95% of Senegalese people are Muslim.)

We had a chance to see this statue up close during our city tour on October 7, 2017, which is when I took this photo.  At night, lighting effects give it a beautiful glow.

It’s possible to pay an entrance fee and go inside it.  I did not do this during my visit.  There are stairs you can take to the top, and look out of windows in the man’s crown.

Why I Was in Senegal

In case you’re wondering why I was in Senegal for a month, I was there as part of the IBM Corporate Service Corps.   You can read more about that here: https://roaming-jewel.com/2017/10/17/ibmcsc/

Mosque of Divinity in Dakar, Senegal

The Mosque of Divinity is a beautiful structure located in Dakar, Senegal.  Its members personally built it, entirely on a volunteer work. No money was paid to anybody involved in constructing it.  All work was done by hand, without the help of cranes or other construction equipment.  The project took 5 1/2 years to complete, from Spring of 1992 to October of 1997.

We visited it because Tidiane Gueye, our local contact for our stay in Senegal, was a member of the mosque and wanted to share this part of his life with us.  It was a landmark near our hotel, which we drove past every day, and it was great to learn something of the history, as well as feel the personal connection to it.

The day I visited this mosque, October 7, the congregation was gearing up to celebrate the 20th anniversary of completing construction. The women had set up a fire with a cooking kettle to cook the meal they intended to serve for the celebration.

Behind the Mosque of Divinity is a beach that lies on the Atlantic Ocean.  There are fishing boats parked along this beach, that people take out on the water to fish.

Fishing boats
Fishing boats along the beach behind the Mosque of Divinity.

This beach is also a place where young people enjoy playing football (soccer).

Playing soccer on the beach.

I felt so inspired, visiting the Mosque of Divinity, because it clearly was a place created from the love that the members of the community feel for not only their faith, but also their relationship with each other.

Why I Was in Senegal

In case you’re wondering why I was in Senegal for a month, I was there as part of the IBM Corporate Service Corps.   You can read more about that here: https://roaming-jewel.com/2017/10/17/ibmcsc/