On the Nile Near Aswan, Egypt

One thing I always try to make time for when I visit Egypt is a boat ride on the Nile at Aswan.  Many Nile cruise itineraries either begin or end at Aswan, so I’d recommend arriving either a day early or staying a day late to allow time for this opportunity to enjoy a scenic, peaceful, beautiful experience.

My favorite boat captain for purposes of enjoying the Nile River at Aswan is Captain Karim. Copyright 2019 by Jewel, all rights reserved.

My favorite boat captain to use for cruising the Nile River at Aswan is Captain Karim.  He expertly guides the boat along the Nile, offering close-up views to the many sights along the way, and he speaks enough English to answer questions. If you ask, he’ll play a radio station with Nubian music.

A boat ride on the Nile at Aswan offers beautiful scenery such as this. Copyright 2019 by Jewel, all rights reserved.

There are many scenic views along the Nile River, and this is exactly why I have done this many times.  After spending time in the urban, high-energy environment of Cairo, I look forward to coming closer to nature when I get to Aswan.

A boat ride on the Nile at Aswan offers beautiful scenery such as this. Copyright 2019 by Jewel, all rights reserved.

There are two different types of boating experiences you can use to experience the Nile scenery at Aswan.  One is a ferry boat, which is what I was riding at the time I took these photos.  The ferry has an engine which is silent enough that it doesn’t detract from the peaceful beauty of the ride.  The other is a felucca, which is an Egyptian style of sailboat.

A boat ride on the Nile at Aswan offers beautiful scenery such as this. Copyright 2019 by Jewel, all rights reserved.

Sometimes young boys on a small raft will paddle out to meet your boat.  These young buskers sing to you, hoping you will tip them for the entertainment they provide.

I personally enjoy the boys, so when I see them approach, I’m inclined to give them an Egyptian five-pound note.  I used to give them just one pound, but Egypt’s economy has experienced significant inflation since 2011’s revolution, so I tip in higher amounts now than I did in 2010.  You may be wondering what songs they use to serenade you.  The ones I’ve heard the most are “Row Row Row Your Boat” and “Frère Jacques”.

Sometimes young boys will paddle out to the boats on the Nile and sing to the passengers, in hopes of receiving tips. Copyright 2019 by Jewel, all rights reserved.

One of the landmarks you’ll see on the western bank of the Nile River at Aswan is the steep hill containing Aswan’s Valley of the Nobles.  High on the top of that hill is a structure known as Qubbet el-Hawa, the Dome of the Wind, which marks the tomb of a long-ago Islamic sheikh named Aly Abu el-Hawa.  I have also heard people refer to this structure as the watchtower because of the expansive view it offers of the Nile valley. The entire mountain is also sometimes referred to as Qubbet al-Hawa, encompassing the Pharaonic tombs in addition to el-Hawa’s tomb.

I have personally never climbed this mountain to explore its sights.  There is no road that a taxi or tour bus could use to take you there.  The only way to approach it is from docking the boat on the bank of the Nile River at the bottom of the hill.   From there, you can either ride a camel up the hill, or you can hike up.  If you want to use a camel, it’s best to prearrange for that, because there often are not any camels waiting at the bottom.

Aswan Valley of the Nobles and Qubbet el Hawa
High on a hillside above the Nile River near Aswan lies Qubbet el-Hawa, the Dome of the Wind. On the hillside below it lies Aswan’s Valley of the Nobles. Copyright 2019 by Jewel, all rights reserved.

Another hillside on the west bank of the Nile at Aswan features the Mausoleum of the Aga Khan III,  Sir Sultan Mohammed Shah, the 48th Imam of Nizari Ismailis.  He was born in the city of Karachi, which lies in modern-day Pakistan, and he assumed his title of Aga Khan at age eight, after his father died. His tomb was built in the style of the historic Fatimid tombs that can be seen in Cairo today.

Although the Aga Khan was from Pakistan, Egypt held a special place in his heart because it was there that he met his French wife, Yvette Blanche Labrousse. She took on the name Begum Oum Habiba after they were married.  Below the Mausoleum, behind the trees in this photo, is the villa where the Aga Khan and his family spent their time when they came to Egypt for visits.

Locals report that after he died, the Aga Khan’s fourth and final wife used to visit his tomb in the Mausoleum every day and lay a red rose on his grave. When she died in 2000, she was laid to rest next to him.

The Mausoleum of Aga Khan III looks down at the Nile River at Aswan. Copyright 2019 by Jewel, all rights reserved.

On another hillside, a historic monastery looks down on the Nile.  This monastery, which dates back to the 7th century, was originally dedicated to a local saint named Anba Hedra who renounced the world on his wedding day. It has also been known as Deir Anba Sim’an. In the 10th century, it was dedicated to Saint Simeon.  In the past, it housed about 300 monks. The troops of Salah ed-Din (Saladin) partially destroyed this facility in 1173.

There are no roads for vehicles leading to this monastery.  If you want to visit it, you’ll need to ride a boat across the Nile. Once across, you can either walk up the hill yourself or hire a camel to carry you. If you plan to use a camel, I’d recommend prearranging it.  This area does not always have camels sitting around waiting for something to do.

The Monastery of St. Simeon sits on a hillside above the Nile River at Aswan, Egypt. Copyright 2019 by Jewel, all rights reserved.

Before the Aswan High Dam was built, the west bank of the Nile River at Aswan was mostly uninhabited because of the annual inundation by the river.  As a result of the dam being built, the inundations ended, while south of the dam Lake Nasser arose, flooding the homeland where thousands of Nubian people had lived since ancient times.  Reports vary on how many Nubian people were displaced by the rising lake, with estimates ranging from 40,000 to 100,000.  With the inundations ending north of the dam, some of the Nubian people whose ancestral homes now lie under the waters of Lake Nasser have started to develop a community on the west bank of the Nile at Aswan.

A village named Gharb Sahel has arisen, with homes, hotels, shops, and more.  The Nubians who live there have preserved their traditional architectural style, which is highly effective at encouraging ventilation and insulating against the heat.

It is possible to book a tour of one of the Nubian homes in the village.  There are several who are willing to show visitors their architecture and talk about their lifestyles.

The village of Gharb Sahel on the West Bank of the Nile River at Aswan serves as an excellent example of Nubian architecture. Photo copyright 2017 by Jewel, all rights reserved.

I have found these tours of Nubian homes to be a highlight of my time in Aswan because of the opportunity to learn more about the culture.  The photo below shows the ornaments that dangle from the ceiling and the table with items for sale.  The cool cat modeling the sunglasses is the ferry boat captain who transported us there, Captain Karim.

Captain Karim poses with my sunglasses. Photo copyright 2019 by Jewel, all rights reserved.

After visiting Gharb Sahel, the return trip on the boat offers additional scenic views along the Nile.

A boat ride on the Nile at Aswan offers beautiful scenery such as this. Copyright 2019 by Jewel, all rights reserved.

El Nabatat Island, also known as Kitchener’s Island, is a popular tourist destination because it hosts the Aswan Botanical Garden. Today, the island is owned by the Egyptian government and is used as a botanical research station.  It is possible to arrange a boat ride to the island and walk through the garden.  I have not personally done this, but it’s on my wish list for a future trip to Egypt.

The Aswan Botanical Garden on El Nabatat Island (also known as Kitchener Island) near Aswan, Egypt is popular with tourists. Photo copyright 2018 by Jewel, all rights reserved.

Elephantine Island’s history dates back to Pharaonic times, when it was the southern outpost of Upper Egypt, on the border of Kush (Nubia).  The book River God by Wilbur Smith sets some of its action on this island.  One of the items on my wish list for a future visit to Aswan is to visit what’s left of this archaeology site today.   A boat can take you close to its Nilometer for a closeup view, as shown in my photo below.  See my article about Nilometers for more information about this and others.

Today, a hideous, soulless Movenpick Hotel crouches on Elephantine Island, a blight on the scenic landscape of the Nile.  I hate the sight of this eyesore so much that I’m not including a photo in this blog post.

Elephantine Island in the Nile River near Aswan, Egypt is home to a Nilometer which can be seen when riding past in a ferry boat or felucca (sailboat). Photo copyright 2018 by Jewel. All rights reserved.

In ancient times, Aswan’s population included a large number of ethnic Nubians, and still does today.  With the Kush empire (also Nubians) immediately to the south, it was important to the Egyptian Pharaohs who were based in Luxor to ensure that Aswan was governed by someone who was capable of maintaining the respect and loyalty of the Nubian locals.  For that reason, many of the governors in Aswan over the centuries were ethnic Nubian.  Queen Nefertari, who was honored by the temple at Abu Simbel and the spectacular tomb in Valley of the Queens at Luxor was a Nubian princess whose father governed Aswan.

Because of Aswan’s position on the southern border of Egypt’s Pharaonic empire, some boulders along the river feature cartouches that declare Egypt’s claim on this location, as shown in the photo below.

These boulders along the Nile River near Aswan were carved with cartouches during ancient times to mark the southern end of the territory claimed by the Egyptian Pharoah.  Photo copyright 2019 by Jewel, all rights reserved.

A popular Egyptian pop singer and actor named Mohamed Mounir has built a mansion on the banks of the Nile near Aswan, and it is possible to see it from a ferry boat or felucca.  The mansion is the domed building in the foreground of the photo below.  Many of Mounir’s fans refer to him as “The King”.

In Aswan, the home of Mohamed Mounir perches above the Nile River. Copyright 2019 by Jewel, all rights reserved.

Closing Thoughts

When we travel, it can be very tempting to cram our schedules full of every imaginable activity, every day.  This can lead to burnout by the end of a vacation.  I find that the ferry ride on the Nile helps me replenish my energy.  It allows me to spend time in nature, on the river, and it allows me to forget for a while about the frantic schedule that tours often provide.  There’s something fulfilling about being out on the water, simply enjoying the beautiful scenery.

Other Blog Posts About Aswan, Egypt

If you enjoyed this post, you might enjoy these others posts I’ve made about Aswan, Egypt:

    1. Honoring Motherhood in Ancient Egypt’s Temples and Tombs. This one includes Philae as one of the temples it talks about.
    2. Aswan, Egypt: The Mystery of the Ostrich Egg.  An interesting item displayed in the Nubian Museum at Aswan.
    3. What It’s Like to be in a Sandstorm in Egypt.  Includes a photo of a sandstorm I experienced in Aswan.
    4. Exploring Nilometers in Egypt.  Includes the one on Elephantine Island, which I included a photo of above.
    5. Fellaha: The Peasant Woman in Egyptian Art. Includes a statue of a fellaha at the Basma Hotel in Aswan.

 

Backbends of Dancers in Ancient Egypt

Our stereotypes of ancient Egyptian dance involve awkward-looking poses with right-angle positions of the elbow and wrist.  People assume that such images appeared on temple and tomb walls.  But, did they? Here’s a look at some of the dance scenes appearing in temples and tombs in Egypt.

At the Luxor Temple

The dancers in the photo at the top of this page appear on the west wall of the Luxor temple. If you look left to right, you’ll see that each image is bending back a little further. Think of these as individual frames in a movie, showing the motion of doing a backbend into a yoga wheel pose, or maybe doing the first half of a back handspring.  Off to the right [not shown in this picture] there is a group of women playing sistrums (a type of rattle).

This scene is part of a larger mural showing a joyous religious celebration, the Opet festival where the god and goddess are united for conjugal fun. This dance, though, is not considered a ritual religious dance (although those did exist in ancient Egypt).   Instead, it’s more of an entertainment spectacle that was being performed for the pleasure of those who saw it.  

The Luxor Temple was built around 1,400 BCE, which means these images of dancers are about 3,400 years old. 

These dancers are not priestesses worshiping a goddess, but rather secular people who are participating joyously in the annual event.  I kind of think of this as being like Christmas in our North America culture – there ARE sacred events related to celebrating Christmas such as church services and pageants, but there are also many secular celebratory activities such as children sitting on Santa Claus’s lap to pose for photos.

Ostracon from Deir el-Medina

This ostracon (piece of limestone painted with an image) was found at the Worker’s Village near Luxor, also known as Deir el-Medina.  Archaeologists believe it was created between 1292 and 1076 BCE. Today, it resides in Italy, at the museum in Turin.  It bears a strong resemblance to the dancers on the west wall of the Luxor temple.  For more information about Deir el-Medina, the site where this was found, see my post about Deir el-Medina.

The Red Chapel of Hatshepsut at Karnak Temple

Inside the grounds of the Karnak temple near Luxor, there is a chapel known as the Red Chapel of Hatshepsut.  It features images resembling those of the Luxor Temple’s west wall.

The top row shows the backbends.  Off to the right is a harpist playing for them. The bottom row shows men dancing on the left, and women playing sistrums (a type of rattle) on the right.

Archaeologists estimate this chapel may have been built around 1,400 BCE.

The Tomb of Ka-Gmni at Saqqara

Dancers in the tomb of Ka-Gmni at Saqqara, Egypt. April 18, 2018.

These dancers appear in the tomb of Ka-Gmni at Saqqara, Egypt. It dates back to approximately 2300 BCE, and therefore is one of the oldest known images of dance found in Egypt.

Other Posts About Ancient Egyptian Dance

See also my post about the image of men performing sacred dance at the Edfu Temple.

The Three Musicians and the Cat (Tomb of Nakht Near Luxor, Egypt)

One of the most popular images sold on papyrus at souvenir shops in Cairo is that of the Three Musicians. The original scene appears in the Tomb of Nakht. Most organized tours won’t take you there, because it lies in the Valley of the Nobles where the tombs are generally small and less impressive than the Valley of the Kings.

The tomb of Nakht is small, too small for most tour groups to cram everyone in. If a group of more than a handful of people goes, chances are they will need to take turns going in while the others wait outside. Because the tomb is small, there aren’t many scenes to view inside. Most tourists would rather see the spectacular tombs found in Valley of the Kings. 

Nakht lived under the reign of Tuthmoses IV, around 1401-1391 BCE. He was a scribe and a temple star watcher.

However, I’m a different type of tourist.  I enjoy seeing the things that the big tours don’t go to see.  I have visited this tomb several times because I like this scene so much, I enjoy going back to see it again.

Andrea Deagon has theorized (in an article you can find on my web site) that the woman in the middle might be dancing.

Here’s the image on a papyrus one I bought in Cairo in 1999:

Papyrus purchased in Cairo with the image of the Three Musicians.

I asked my guide to tell me about the overall scene. In particular, I asked him if this was a temple performance done by priestesses. He emphatically said NO. He pointed off to the right a section of the scene that doesn’t appear in this photograph which showed Nakht and his wife watching, and he said that this was merely entertainment for the pleasure of Nakht and his family.

Music and dance in ancient times were NOT always about religion. Sometimes they were, but not always.

Another part of the artwork inside this tomb features a cat, curled up in a ball. We hear so much about the Egyptian cat goddess Bastet, but I find this image charming  because it looks like a family pet snuggling up for a nap.

Egyptologists call this Theban Tomb TT52. They believe it’s from around 1400 BCE, which means it’s about 3,400 years old.

Honoring Motherhood in Ancient Egypt

Temples and tombs from ancient Egypt offer many tributes to motherhood.  As of 2019, I’ve found one tomb at Saqqara with a madonna scene, and several temples along the Nile cruise route with motherhood-related images, including Luxor Temple, Edfu Temple, Kom Ombo Temple, and Philae Temple.  Here’s a look at the ones I’ve discovered in my travels so far.

Saqqara

Tomb of Niankhkhnum and Khnumhotep (Tomb of the Brothers)

At Saqqara, which is just outside of Cairo, the tomb of Niankhkhnum and Khnumhotep, often known as the “tomb of the hairdressers” or the “tomb of the brothers” features two beautiful scenes of motherhood near its entrance.

These are the oldest images from ancient Egypt that I have found so far celebrating motherhood. Although scholars have not determined the tomb’s exact age, the current theory is that Niankhkhnum and Khnumhotep served either Nyuserre Ini or Menkauhor Kaiu.  Assuming that theory is correct, this tomb would thus have been built in the latter part of the 25th century BCE, making it over 4,000 years old.

One of the images at this tomb shows a small child playing around his mother while she does her daily housework.

Tomb of the Brothers
This scene of a mother and her baby appears at the entrance of the Tomb of the Brothers (often called Tomb of the Hairdressers) at Saqqara. Photo taken March 31, 2019, copyright Jewel, all rights reserved.

The other shows the mother nursing the baby when it’s time to feed him. It’s really interesting to see this madonna-type image that was created about 2,500 years before the time of Christ.

This scene of a mother nursing her baby appears at the entrance of the Tomb of the Brothers (often called Tomb of the Hairdressers) at Saqqara. Photo taken March 31, 2019, copyright Jewel, all rights reserved.

Luxor

The birth room of the Luxor Temple tells how Queen Mutemwia became the mother of Amenhotep III. It offers a fascinating story of immaculate conception, annunciation, and birth about 1,300 years before the story of Jesus Christ. The bottom row shows the ram-headed creator god Khnum molding two children, one to be the physical body, and the other to be his ka (spirit version).  The story goes on to show the god Amun coming to her, the conception, the pregnancy, and the birth. The intent of the story is to justify Amenhotep III’s right to be revered as a god, just as the later story of Jesus used immaculate conception to justify his claim to be the Son of God.

In this segment of the wall, we see Queen Mutemwia (top right) sitting on the birth chair giving birth to her son s the deities Isis and Khnum rub her hands.

Birth Room in Luxor Temple
This scene in the birth room of the Luxor temple shows Queen Mutemwia giving birth to her son, Amenhotep III. The top row shows her seated on a stool during labor, as the deities Khnum and Isis rub her hands. Below that, she is giving birth to her baby.

This birth scene would have been commissioned by Queen Mutemwia’s son, Amenhotep III, to support his divine claim to the throne of Egypt. Scholars estimate that his 37-year reign begin in 1386 BCE or 1388 BCE, which places the age of this scene as being more than 1,000 years before the temples of Edfu, Kom Ombo, and Philae (mentioned below) were constructed.

Interestingly, I had visited the Luxor Temple approximately 8 times without ever seeing this birth story.  Finally, I visited the temple for about the 9th time in 2019, and this was the first time a guide showed me this scene.  It’s not something that every tour of the Luxor Temple includes.  If you want to see the birth room, you may need to insist that your guide include it in the tour.

Edfu

The Edfu temple honors Horus the Elder and his wife, Hathor.  Some of its walls feature scenes of Hathor nursing her infant, Horus the Younger.  Some of these scenes were damaged by early Christians during the Roman era, in an attempt to obliterate the earlier Pagan beliefs.

Near the entrance to the Edfu temple is a special room known as the mammisi, or “birth room”.  This is a small chapel located just outside and in front of the main pylons, and it celebrates the birth of “Horus, the Unifier of Two Lands”.  The mammisi features several images of Hathor playing musical instruments, including sistrum (rattle), frame drum, and lyre.

This scene of Hathor nursing her baby appears on a wall of the temple at Edfu, Egypt.

The Edfu temple that stands today is relatively young, but resides on the site of a much older shrine.  The structure that stands today was built after Alexander the Great conquered Egypt, leading to the era of Greek Pharaohs that ended with Cleopatra. The first stone of today’s temple was laid in 237 BCE, and it was consecrated in 142 BCE. This is one of the best preserved temples in Egypt due to having been buried for centuries under sand and river silt deposited by the Nile inundations.

For another of my blog posts about Edfu Temple, see Dance Like an Egyptian!

Kom Ombo

The temple at Kom Ombo, Egypt is unique because it honors two different gods – Sobek (with a crocodile head) and Horus the Elder (with a falcon head).  It’s a fascinating temple to visit, with many interesting images on its walls.

These scenes of women in labor and surgical tools appear on a wall of the temple in Kom Ombo, Egypt.

A unique segment of wall that is popular with many of the tourists who visit Kom Ombo is the scene showing two women using birthing chairs to give birth.  The wall to the right of them features images of surgical tools.

The throne-shaped object on the head of the lower woman is a nod to the goddess Isis and her role as a patron of fertility and motherhood.

One of the tour guides I’ve worked with, Abdul Aly, has proudly pointed out that ancient Egyptians have known about the benefits of delivering babies while sitting up in birthing chairs for at least 2,000 years. In contrast, modern Western medicine only started to embrace birthing chairs and the upright posture since about the 1980’s.

Like Edfu, Kom Ombo was built during the period of the Greek Pharaohs, on top of an older temple site dating from the New Kingdom.  Construction lasted from 180 BCE to 47 BCE.  In addition to the birthing chair scene, I was very fond of the on-site museum featuring crocodile mummies. Unfortunately, the Crocodile Museum at the temple does not allow visitors to take photos.  Another of my blog posts shows the Nilometer at this temple.

Philae

Philae Island at Aswan hosts the beautiful Nubian temple of Isis.  Construction began around 690 BCE, on a site that had hosted an older structure, with most of the temple that remains today being built during the reign of Nectanebo I, ranging from 380-362.  In the 1960’s, the island was flooded by the rising waters of the Nile caused by the Aswan High Dam, and Philae was one of the temples moved to a new site on higher ground funded by UNESCO.

Isis nurses Horus in this scene at the temple on Philae Island at Aswan, Egypt. Photo by Jewel, copyright 2015, all rights reserved.

There are several images of Isis nursing the baby Horus in this temple.  These resemble the madonna-style images of Hathor with Horus at Edfu. There is some overlap of the stories regarding Hathor (which were earlier) and Isis (who came later.)  Unfortunately, many of the images of Isis with Horus at Philae were vandalized during the Roman era by early Christians who were trying to obliterate the earlier Pagan religion.

Closing Thoughts

I’ve featured highlights of how ancient Egypt honored motherhood by selecting several must-see images to watch for that are easy to find if taking a Nile cruise or a Luxor-to-Aswan tour or touring Saqqara near Cairo.  These are ones I’ve personally noticed so far on my travels to Egypt, but I’m sure there are many I have not yet found.  I’ll keep looking, and if I find more, I’ll add them to this blog post.

I encourage you, too, to keep looking on your own. You’re sure to discover more of these images in statues (in museums), tombs, and other temples.

Cairo, Egypt: The Street of the Khayamiya (Tentmakers)

There’s an historic street in Cairo’s Khan al Khalili district known as the Sharia al-Khayamiya (Tentmaker’s Street). Along this street, vendors sell a uniquely Egyptian handcrafted textile known as khayamiya. You might also see it spelled as “khayamia”, “khyamiya”, “khayameya”, and other variations of that. The word is derived from Khayma, which is the Arabic word for “tent” You may have heard of Omar Khayyam, whose name means “Omar the Tent Maker”.

Although it’s possible to purchase khayamiya in places other than this street, you’ll find the best selection here. I find it captivating to explore the shops and admire the many tapestries available there.

What Is Khayamiya?

Khayamiya artisans create the pieces using applique techniques to make designs. The fabric is a type of canvas. Historically in the Middle East, such appliques were used to decorate the interior of tents.  As the photo at the top of this article shows, some khayamiya pieces are small enough to be used as a cover for a throw pillow, while others are large enough to cover a large section of a wall, similar to the sizes often used in the U.S. for quilted wall hangings.  As a textile artist myself, I’m very fond of the khayamiya technique, and it’s always a treat when I go to Cairo to visit the Sharia al-Khayamiya.

In 2012, the quilt shows presented by the American Quilter’s Society featured a khayamiya artist from Egypt touring throughout the U.S.

Types of Designs

The majority of khayamiya designs that I’ve seen fit into these categories:

  1. Geometric designs similar to those typical of Islamic art
  2. Images inspired by Pharaonic art from tombs and temple walls, especially birds
  3. Scenes depicting Egyptian life, such as Saidi musicians or men playing the tahtib martial art. See the photo below showing two different views of Saidi musicians, one in which the musicians wear burgundy galabeyat, and the other in which the musicians wear navy blue.
  4. Words written in Arabic calligraphy. Most of these that I’ve seen translate into Allah’s name, or praises to him.
These two khayamiya pieces show Saidi musicians playing traditional Egyptian musical instruments. The image on the left shows men playing a mizmar (similar to an oboe), a rebaba (stringed instrument), and a deff (frame drum). The one on the right shows two mizmar players and a deff player.

The photo below shows several khayamiya pieces displayed on the wall of one of the shops on Sharia el-Khayamiya.  The owner of this shop gave me permission to take this photo, as well as the others shown in this blog post.

About the Khayamiya Street

Sharia el-Khayamiya is one of the last Medieval covered streets remaining in Cairo, and is worth a visit just to take in the history it represents. The street lies immediately south of the historic city gate known as Bab Zuweyla.  It was built in the 1600’s.

Historically, when Egypt was the hub of the Islamic world, every year the artisans of the Tentmakers’ Street would craft a massive tapestry to cover the kaaba stone in Mecca for the annual hajj (pilgrimage to Mecca). When the time came to transport the tapestry to Mecca, it would be carried through the Bab Zuweyla and placed on the camel caravan that would transport it there.  The departure of the caravan to Mecca was occasion for the people of Cairo to celebrate.

In recent decades, since the discovery of oil on the Arabian peninsula, the Saudis purchase their tapestry for the annual hajj from other sources.  Egypt no longer provides it.

If you stand outside a shop in Sharia el-Khayamiya, you may need to dodge cars and motorcycles, since it still is a functional street.  I find it best to quickly move inside a shop displaying designs that appeal to me, rather than linger out in the street area.

There is an article on the Aramco World web site that provides a large amount of interesting detail about this historic Cairo neighborhood.

Buying Khayamiya Pieces

The khayamiya textiles come in many sizes.  Prices vary according to the size of the piece and the intricacy of the design. Sometimes when I visit these shops, I sit down on a bench, pick up a large pile of textiles, and start looking through it in search of something to catch my eye.  For me, it is a pleasure even just to look through them. The vendors are always very willing to help me find specific pieces if I tell them what sort of design or size I’m looking for.

Although some of the vendors don’t speak much English, they can typically recruit someone nearby to translate. I’ve never had a communication problem, and I enjoy seeing their faces show their pride in their work as they answer my questions about certain items.

I have purchased many khayamiya pieces to use as gifts for friends and family members.

Closing Thoughts

It can be a challenge figuring out what gifts to buy when visiting Egypt.  I have given several pieces to people in my life who appreciate handcrafted textiles.  The diverse selection of color combinations and designs offers options that could appeal to a variety of tastes.

I also have several pieces for my own home, and when I look at them, they bring back memories of my visits to Egypt.

Luxor, Egypt: The Pyramids of Deir el-Medina (Valley of the Workers)

Nearly everybody has heard of the 3 great Pyramids of Giza. In fact, the Great Pyramid of Giza was one of the 7 wonders of the ancient world.  Many have also heard about the pyramids just south of Giza: the Bent Pyramid, the Step Pyramid, and the Red Pyramid. But comparatively few have heard of the pyramids in Deir el-Medina, the Valley of the Workers. There are 3 there, each marking a tomb.  In the past, there were more such pyramids, but they have not survived through the ages.

Deir el-Medina is near Luxor, on the West Bank near the Valley of the Kings. Some people call it the Workers Village, the Valley of the Workers,  or the Valley of the Artisans.  Archaeologists estimate that this community was active between 1550 and 1080 BCE.

Deir el-Medina, an ancient village  near Luxor, Egypt, offers an opportunity to explore a unique archaeological site – a place that teaches us what everyday life was like  in Pharaonic times.  Photo copyright 2017 by Jewel, all rights reserved.

After seeing the grandeur of the Valley of the Kings and the temples, Deir el-Medina offers an entirely different perspective on life in Pharaonic times because of the insight it gives into how regular people lived, as opposed to the kings and nobles. It is unique in that there is no other archaeological site that provides such extensive information to scholars about the daily life of ancient society, including living conditions, social interactions, and community life.

Deir el-Medina was a village where the people who built the famous tombs and temples on Luxor’s West Bank lived.  These were the people who carved the great columns out of rock, created the bas-relief art work on temple walls, painted the tomb ceilings and walls, carved the alabaster canopic jars and other treasures for the tombs, and more. Many historians believe that Deir el-Medina was founded by the Pharaoh Amenhotep I and his mother, Ahmose-Nefertari.  Today, the village has been awarded status as a UNESCO World Heritage Site.

A pyramid marks a tomb at Deir el-Medina near Luxor, Egypt. Photo copyright 2017 by Jewel, all rights reserved.

Today, it is possible to visit the site and see what remains of the homes. An experienced guide can point out which room was probably the kitchen (based on remains of cooking fires and food found there), which was probably the toilet, etc.

These pyramids are small, maybe about 10 feet tall, at most. It is possible to walk up close to them, but not to go inside.

How I Learned About Valley of the Workers

I originally discovered the Valley of the Workers in 2004.  Our tour guide, Mohamed, had just taken us through the Valley of the Kings, and we had been impressed with the magnificence of the tombs there.  He then gave us a choice:  whether to see Valley of the Queens (which was the activity that had been pre-planned for us), or whether to make a change and visit Valley of the Workers.

Mohamed explained that the only tomb at Valley of the Queens which approached the grandeur of the Valley of the Kings we’d already seen was that of Nefertari, and that one was closed to the public due to its fragile condition.  He said that the tombs at Valley of the Queens that were open to the public were all smaller, less elaborate versions of what we had seen at Valley of the Kings.

A pyramid marks a tomb at Deir el-Medina near Luxor, Egypt. Photo copyright 2017 by Jewel, all rights reserved.

Our group decided to make the change he suggested, and go to Valley of the Workers.  I’m glad we did, because it was entirely different from Valley of the Kings, and gave us fascinating insight into the lives of the people who built the temples and tombs.

 

Essaouira, Morocco: A Day Trip from Marrakech

In 2015, I vacationed in Morocco with some friends.  First, we spent a week in Marrakech, then we went on to Casablanca for a dance camp.  On August 31, we took a day trip from Marrakech to Essaouira, a historic port city on the Atlantic Ocean.

The tour agency that organized the day tour from Marrakech promised a tour of the city, plus a stop en route to see goats in trees. Along the way, we came upon an argan tree that was growing close to the roadway.  Our van pulled over, and we got out to see the goats.  It was obvious that the tour company had made arrangements with the goats’ herders to drive them up into this particular tree just for us, to coincide with the time we would be arriving.  But I didn’t care, I loved seeing the tree goats up close, and took several photographs.  See my separate blog post about the tree goats.

The name of the city is pronounced “ess uh WEAR uh”.  It is a French spelling, where the “ou” represents the same sound as the English “w”.

Part of the original fortress walls of Essaouira are still standing. This photo copyright 2018 by Jewel, all rights reserved.

The historic fortress is what gave the city its modern name, which means “small fortress” in Moroccan Arabic. Today, part of the walls that once surrounded the old city are still standing.

It is possible to go up to the top of the fortress and enjoy the view.

Photo copyright 2018 by Jewel. All rights reserved.

In Roman times, Essaouira was known as a source of purple dye. The dye was manufactured from purpura shells. Today, some remnants of Phoenician and Roman civilizations remain in the area.

I enjoyed visiting Essaouira’s busy market, where people can purchase fresh produce, spices, clothing, and household goods. It was fun to wander through and admire the historic architecture.

Copyright 2018 by Jewel. All rights reserved.

Some of the buildings inside the market area feature murals on their walls. Of course, I felt compelled to take a photo of this mural of a cat!

Photo copyright 2018 by Jewel. All rights reserved.

When walking through a market area, it can be tempting to focus your attention on the merchandise. However, I recommend looking up, because there is much beautiful architecture to admire.  If you don’t look up, you’ll miss it!

Photo copyright 2018 by Jewel. All rights reserved.

I returned to Essaouira for a visit in 2017, once again enjoying the coastal climate, the delicious seafood, and the vibrant market. The below photo shows sunset at Essaouira on September 10, 2017.

The sun sets over Essaouira, Morocco, on September 10, 2017.

I have enjoyed both of my visits to Essaouira.  Would I go back?  Possibly. It’s a beautiful city, and there are a number of local sights I haven’t yet explored!

Images of Birds in the Tombs at Saqqara, Egypt

Many of my friends love birds, so I thought it might be fun to share photos I took of bird artwork on the walls inside the tombs at Saqqara near Cairo, Egypt.

When visiting these tombs, it is possible for tourists to purchase a camera permit allowing them to take photos inside. However, even with a camera permit, flash photography is prohibited, so it’s necessary to take either a camera that excels in low-light conditions, or a flashlight to illuminate the images while taking the pictures.

Inside the Tomb of Irukaptah

The tomb of Irukaptah dates back to approximately 2400 BCE, making this tomb over 4,400 years old.  It is also known as the Tomb of the Butchers because Irukaptah was the head of the butchers at the royal palace, and therefore his tomb contains some scenes on the walls inside that depict cattle being butchered.  Just inside the entrance, there is a row of statues set into the wall.  So far as I know, Irukaptah’s tomb is the only one at Saqqara that contains such statues.  A row of birds sits on a panel just above the heads of the statues.

Below is a closeup of the birds on the panel above the statues’ heads:

Inside the Tomb of Ty

Archaeologists estimate that the tomb of Ty was build circa 2494-2345 BCE, which would make it over 4,000 years old.  An entire wall inside the tomb of Ty is covered with images of birds.  This is a wide angle view of the wall.  If bird lovers have time to visit only one of the tombs at Saqqara, this one could be a good choice.

Here is a close-up showing the scene of the wading birds in the tomb of Ty in more detail.

This closeup from the tomb of Ty shows the geese in more detail:

Inside the Tomb of Ka-Gemni

Ka-Gemni was the Pharaoh’s son-in-law, and therefore was able to afford an elaborate tomb. The sign on the entrance to the tomb says that it was built approximately 2340, making it over 4,000 years old.  It is one of my favorites because it contains a scene on one of its walls showing a chorus line of dancers.  But there is other art on its walls that’s also worth seeing.  This beautiful marsh scene inside the tomb of Ka-Gemni shows several different types of birds.

Inside the Tomb of Ptahhotep

A scene inside the tomb of Ptahhotep shows several kinds of birds together.  It was built approximately 2350 BCE, over 4,000 years ago.

This drawing of birds appears inside the tomb of Ptahhotep at Saqqara, Egypt. Photo by Jewel, copyright 2019, all rights reserved.

Princess Idut

Idut’s tomb dates from the 5th dynasty, approximately 2360 BCE. These bas-reliefs still show some of the original color. Something that makes this scene different from many others is the fact each bird is a different type, and there is a butterfly in the middle!

This image of birds appears inside the tomb of Idut at Saqqara, Egypt. Photo copyright 2019 by Jewel, all rights reserved.

Mehu

I saw the tomb of Mehu for the first time in April 2019.  Before that, it had been closed to the public, finally opening in September 2018, 80 years after archaeologists discovered it.

Mehu lived around 2300 BCE, during the time of the sixth dynasty.  His title was Chief Justice and Vizier, and was married to the king’s daughter, Iku.

The tomb of Mehu is dated around 2300 BCE It contains many images of birds. Photo copyright 2019 by Jewel, all rights reserved.

Closing Thoughts

These are the only photos I’ve taken so far of birds on the tomb walls of Saqqara, but I hope to return in the future and take more!

I have visited the necropolis at Saqqara about 6 times.  It’s always a pleasure to go back, because every time I go, I see something new.  Even when I return to tombs I’ve seen before, I’ll often notice something that I missed on previous visits.

Also, only some of the tombs at Saqqara are open for the public to go inside. On my trips to Egypt in February 2017, April 2018, and March 2019, I engaged a guide to take me inside every tomb that was open at the time.  However, occasionally, Egypt will open another to attract tourists, so there’s often something new to see.

Fellaha: The Peasant Woman in Egyptian Art

Egyptians often refer to their homeland as Masr Om el Dunia, which means “Egypt, Mother of the World”.   Because of this, even since ancient times a fellaha (peasant woman) has been used in Egyptian art as a symbol of fertility and giving life. In my travels to Egypt, I have seen a number of beautiful fellaha statues in public places.

Nahdet el Masr (Awakening of Egypt)

The most famous of the fellaha statues in Egypt is the one at the top of this post, which is known as Nahdet el Masr (Awakening of Egypt).  It stands in front of Cairo University, near the Giza Zoo. The statue, made from rose granite, was unveiled in 1928. It symbolized Egypt’s struggle for independence from Britain following World War I and the 1919 revolution.

This statue uses both a Sphinx and a fellaha to represent Egypt. The woman unveiling her face represents Egypt’s post-revolution revival, while her companion the Sphinx recalls the greatness of Egypt’s history. (In Arabic, the Sphinx is called Abu el-Hool, which an Egyptian taxi driver told me means something similar to “father of all”.) With these images together, the statue celebrates Egypt’s glorious past while looking ahead to the future. The statue was erected facing east so that each day the sunrise would strike it as if to reawaken Egypt.

Google Doodle which appeared May 10, 2012 to honor sculptor Mahmoud Mukhtar.

The sculptor who created this statue was Mahmoud Mukhtar, a highly respected Egyptian artist of the early 20th century.  On May 10, 2012, Mukhtar was honored with a Google Doodle which features Nahdet el Masr  to commemorate his birth date.

The Agricultural Museum

Photo copyright 2017 by Jewel, all rights reserved.

The Agriculture Museum in Cairo, Egypt is a treasure that most tourists visiting Egypt have never heard of, and never been to. It resides inside a former palace, so even the architecture is well worth taking a moment to enjoy.  I think maybe the museum opened in the 1950’s, but I could be wrong about that.  The museum is near the Giza zoo and the Cairo Opera House.

Photo copyright 2017 by Jewel, all rights reserved.

There are two beautiful fellaha statues outdoors on the grounds of the museum.  Both celebrate the role of women in the agricultural lifestyle.

Basma Hotel in Aswan

When I go to Aswan, I enjoy staying at the Basma Hotel.  Its beautiful courtyard features a large swimming pool, adorned with a statue of a fellaha carrying a balas (water jug). A walkway leads from the edge of the pool out to the statue, so it is possible to pose for a photo with her.

Photo copyright 2018 by Jewel, all rights reserved.

The Fellaha Statue that Never Was

Today, we know the French sculptor Auguste Bartholdi as the artist who created the Statue of Liberty.  What many of us don’t realize is that in 1867 he had approached Ismael Pasha, the Viceroy of Egypt, with the idea of creating a massive statue of a fellaha holding aloft a torch which would be placed at the entrance of the Suez Canal.  The statue would be called “Egypt – Carrying the Light to Asia”, and it would also serve as a lighthouse.

Bartholdi’s watercolor concept painting showing his vision for the fellaha statue.

Bartholdi submitted several sketches in 1869 for his proposed statue, hoping to receive a commission in time to complete it for the Suez Canal’s opening. Unfortunately, the project never went forward due to a lack of funds to pay for it.

I hope someday to visit the Suez Canal, and when I do, I’ll take a moment to fantasize about the fellaha statue that Bartholdi had dreamed of creating for it.

About My Egypt Travels

For several of my trips to Egypt, I have traveled with Sahra Kent, through her Journey Through Egypt program.  I discovered the fellaha statues shown in this post through traveling with her.  I highly recommend the Journey Through Egypt program to anyone who is interested in a cultural perspective of Egypt.

Egyptian Music: Honoring the Legacy of Oum Kalthoum in Cairo

Tributes to the legendary singer Oum Kalthoum can be found throughout Cairo.  My three favorites, which I’ll highlight in this post, are:

  1. The Oum Kalthoum Museum
  2. The Oum Kalthoum Café along Muez Street
  3. The Oum Kalthoum Hotel

Who Was Oum Kalthoum and Why Does She Matter?

Oum Kalthoum was a beloved singer who became known as “The Voice of Egypt”, “The Lady”, the “Star of the East”, and “The Fourth Pyramid”. When she died in 1975, over 4 million Egyptians lined the streets for her funeral cortege. Today, Oum Kalthoum’s music continues to be part of the soundtrack of modern Egyptian life, with radio and satellite television stations who play solely her music.

Oum Kalthoum continues to inspire listeners all over the world. Belly dancers around the world use her music for their performances. In 1978, three years after she passed, Bob Dylan told Playboy Magazine in an interview, “She’s dead now but not forgotten. She’s great. She really is. Really great.”  My local Egyptian restaurant in Coralville, Iowa  plays her music via satellite television for ambience. Many taxi drivers in Egypt tune their radios to stations that play her music. She was truly a great talent, and remains an important voice in world music.

Visiting the Oum Kalthoum Museum

The Oum Kalthoum Museum on Rhoda Island offers a glimpse into the life of this great artist.

As you enter the museum, it’s possible to purchase a permit for using a camera to take photos. However, flash is forbidden.  Photos must use available light. Fortunately, my 35mm camera and my cell phone camera both work very well with available light.

There is a 15-minute documentary video that visitors to the museum can watch to learn a bit about Oum Kalthoum, her music, and why she was so beloved by the Egyptian people.  I highly recommend taking the time to watch it, because it really helps put her life in perspective.

The first exhibit inside the entry showcases some of the dresses that Oum Kalthoum wore during her performances.

Oum Kalthoum’s iconic diamond-encrusted crescent brooch is displayed in the museum.

Photo copyright 2017 by Jewel. All rights reserved.

Several photo collages show scenes from Oum Kalthoum’s life.  Each one shows photos from certain eras. My favorite is the collage of her later years, which centers around a photo of Oum Kalthoum with Badia Masabni, a legendary nightclub owner. Oum Kalthoum is the one wearing the dark glasses. In her later years, she always wore dark glasses because a thyroid condition caused her to develop bulging eyes.  This condition can always cause dryness and sensitivity to light.

Several photos of Oum Kalthoum’s family life appear in the museum.  This one shows her with her brother.

A variety of Oum Kalthoum’s personal possessions are on display.  For example, one display cabinet shows some of her shoes and handbags.

Photo copyright 2017 by Jewel. All rights reserved.

Several pairs of her diamond-studded glasses are displayed:

The museum also features original vinyl records, sheet music, awards that Oum Kalthoum received in her lifetime, and many more mementos of her life.  It’s an inspirational way to spend an hour or two, soaking up the nostalgia.

When I visit, I also enjoy walking around the grounds a bit.  Rhoda Island’s landscaping is very inviting, and the island offers beautiful views of the Nile River.

Just outside the museum, an abstract statue of Oum Kalthoum captures just enough of her iconic imagery to be recognizable. On her chest is the crescent-shaped diamond brooch whose photo appeared above, and in her hand she holds a handkerchief.  She always held a handkerchief when performing.

Photo copyright 2017 by Jewel. All rights reserved.

A second sculpture outside of the museum shows a musical staff with notes. I’m very fond of this one.

Photo copyright 2018 by Jewel. All rights reserved.

The museum lies within easy walking distance of the historic Nilometer, which is also worth visiting while there.

Sipping Tea at the Oum Kalthoum Café

Just off of Moez Street, near Khan al-Khalili and Bab al-Futuh, the Oum Kalthoum Café offers an opportunity to sit for a while and enjoy the ambience of Cairo.

Photo copyright 2016 by Jewel. All rights reserved.

A statue of Oum Kalthoum posing with mushrooms greets you at the entrance of the cafe.  Inside, you can listen to her music continuously as you sip your tea and watch the the world go by.

Staying at the Oum Kalthoum Hotel

When Oum Kalthoum was alive, she lived in a villa along the Nile on Zamalek Island. After her death, her property was sold, the villa razed, and a hotel built on the land.  The beautiful hotel that stands there today is designed to honor her life’s work.

A statue of Oum Kalthoum greeted our tour bus as we approached the hotel.

Statue near the Oum Kalthoum Hotel.

Throughout the lobby, photos of Oum Kalthoum evoke memories of the singer as the sound system continuously plays her music.  I enjoy sitting in the lobby and simply listening.  The furniture consists of historic pieces from the mid 20th century, aligning with the period when Oum Kalthoum rose to fame.

Photo copyright 2018 by Jewel. All rights reserved.

The hallways of the first two floors feature furniture that once belonged to Oum Kalthoum, including mirrors in elaborate wood frames, elegant upholstered chairs, and tables.

When I stayed at the hotel in April 2018, I was fortunate to receive a room with a Nile view on the second floor, where I could walk past these mementos every day. Each room of the hotel, in addition to having a room number, also bears the name of one of her songs. I hope to be assigned the room Leylet Hob the next time I stay there!