Nearly everybody has heard of the 3 great Pyramids of Giza. In fact, the Great Pyramid of Giza was one of the 7 wonders of the ancient world. Many have also heard about the pyramids just south of Giza: the Bent Pyramid, the Step Pyramid, and the Red Pyramid. But comparatively few have heard of the pyramids in Deir el-Medina, the Valley of the Workers. There are 3 there, each marking a tomb. In the past, there were more such pyramids, but they have not survived through the ages.
Deir el-Medina is near Luxor, on the West Bank near the Valley of the Kings. Some people call it the Workers Village, the Valley of the Workers, or the Valley of the Artisans. Archaeologists estimate that this community was active between 1550 and 1080 BCE.
After seeing the grandeur of the Valley of the Kings and the temples, Deir el-Medina offers an entirely different perspective on life in Pharaonic times because of the insight it gives into how regular people lived, as opposed to the kings and nobles. It is unique in that there is no other archaeological site that provides such extensive information to scholars about the daily life of ancient society, including living conditions, social interactions, and community life.
Deir el-Medina was a village where the people who built the famous tombs and temples on Luxor’s West Bank lived. These were the people who carved the great columns out of rock, created the bas-relief art work on temple walls, painted the tomb ceilings and walls, carved the alabaster canopic jars and other treasures for the tombs, and more. Many historians believe that Deir el-Medina was founded by the Pharaoh Amenhotep I and his mother, Ahmose-Nefertari. Today, the village has been awarded status as a UNESCO World Heritage Site.
Today, it is possible to visit the site and see what remains of the homes. An experienced guide can point out which room was probably the kitchen (based on remains of cooking fires and food found there), which was probably the toilet, etc.
These pyramids are small, maybe about 10 feet tall, at most. It is possible to walk up close to them, but not to go inside.
How I Learned About Valley of the Workers
I originally discovered the Valley of the Workers in 2004. Our tour guide had just taken us through the Valley of the Kings, and we had been impressed with the magnificence of the tombs there. He then gave us a choice: whether to see Valley of the Queens (which was the activity that had been pre-planned for us), or whether to make a change and visit Valley of the Workers.
He explained that the only tomb at Valley of the Queens which approached the grandeur of the Valley of the Kings we’d already seen was that of Nefertari, and that one was closed to the public. He said that the tombs at Valley of the Queens that were open to the public were all smaller, less elaborate versions of what we had seen at Valley of the Kings.
Our group decided to make the change he suggested, and go to Valley of the Workers. I’m glad we did, because it was entirely different from Valley of the Kings, and gave us fascinating insight into the lives of the people who built the temples and tombs.
In 2015, I vacationed in Morocco with some friends. First, we spent a week in Marrakech, then we went on to Casablanca for a dance camp. On August 31, we took a day trip from Marrakech to Essaouira, a historic port city on the Atlantic Ocean.
The tour agency that organized the day tour from Marrakech promised a tour of the city, plus a stop en route to see goats in trees. Along the way, we came upon an argan tree that was growing close to the roadway. Our van pulled over, and we got out to see the goats. It was obvious that the tour company had made arrangements with the goats’ herders to drive them up into this particular tree just for us, to coincide with the time we would be arriving. But I didn’t care, I loved seeing the tree goats up close, and took several photographs. See my separate blog post about the tree goats.
The name of the city is pronounced “ess uh WEAR uh”. It is a French spelling, where the “ou” represents the same sound as the English “w”.
The historic fortress is what gave the city its modern name, which means “small fortress” in Moroccan Arabic. Today, part of the walls that once surrounded the old city are still standing.
It is possible to go up to the top of the fortress and enjoy the view.
In Roman times, Essaouira was known as a source of purple dye. The dye was manufactured from purpura shells. Today, some remnants of Phoenician and Roman civilizations remain in the area.
I enjoyed visiting Essaouira’s busy market, where people can purchase fresh produce, spices, clothing, and household goods. It was fun to wander through and admire the historic architecture.
Some of the buildings inside the market area feature murals on their walls. Of course, I felt compelled to take a photo of this mural of a cat!
When walking through a market area, it can be tempting to focus your attention on the merchandise. However, I recommend looking up, because there is much beautiful architecture to admire. If you don’t look up, you’ll miss it!
I returned to Essaouira for a visit in 2017, once again enjoying the coastal climate, the delicious seafood, and the vibrant market. The below photo shows sunset at Essaouira on September 10, 2017.
I have enjoyed both of my visits to Essaouira. Would I go back? Possibly. It’s a beautiful city, and there are a number of local sights I haven’t yet explored!
Because of spending a month in Senegal in October 2017, I came to feel a real appreciation for the country and its people. Once I start to feel that level of connection, I find myself wanting to go back, and I do feel that pull to return to Senegal for a visit.
What would I do if I went back for a visit? This is my wish list. I really don’t think it would be feasible to do all of these things in a single visit, but I would enjoy doing what I can!
Visit the local people that I had an opportunity to get to know during my month there. Reconnect, get an update on their lives.
Return to Pink Lake with a swimsuit, and go for a swim in the salt water.
Return to Terrou-Bi, which was the original hotel that we stayed at for our first two weeks in Senegal, before we had to change hotels. Go for walks at sunset along its stretch of beach.
Dine at the seafront restaurants in the Almadies part of Dakar. That was something I was really fond of doing when I was there the first time!
Go inside the African Renaissance Monument, and climb to the top to look out of the windows in the man’s crown.
Seek out opportunities to see performances of sabar music and dance. Perhaps even take lessons in sabar dancing myself.
Seek out a ndeup ceremony.
Go back to Gorée Island, and this time allow a full day to explore the entire island.
Will I actually go? It’s hard to say. I’d like to have at least one travel companion that I can dine with, plan with, and share the experience with. I also would need to figure out how it fits into everything else going on in my life. For now, it’s on the back burner. But life can take interesting directions, and if the right opportunity were to present itself, I’d be happy to return.
Egyptians often refer to their homeland as Masr Om el Dunia, which means “Egypt, Mother of the World”. Because of this, even since ancient times a fellaha (peasant woman) has been used in Egyptian art as a symbol of fertility and giving life. In my travels to Egypt, I have seen a number of beautiful fellaha statues in public places.
Nahdet el Masr (Awakening of Egypt)
The most famous of the fellaha statues in Egypt is the one at the top of this post, which is known as Nahdet el Masr (Awakening of Egypt). It stands in front of Cairo University, near the Giza Zoo. The statue, made from rose granite, was unveiled in 1928. It symbolized Egypt’s struggle for independence from Britain following World War I and the 1919 revolution.
This statue uses both a Sphinx and a fellaha to represent Egypt. The woman unveiling her face represents Egypt’s post-revolution revival, while her companion the Sphinx recalls the greatness of Egypt’s history. (In Arabic, the Sphinx is called Abu el-Hool, which an Egyptian taxi driver told me means something similar to “father of all”.) With these images together, the statue celebrates Egypt’s glorious past while looking ahead to the future. The statue was erected facing east so that each day the sunrise would strike it as if to reawaken Egypt.
The sculptor who created this statue was Mahmoud Mukhtar, a highly respected Egyptian artist of the early 20th century. On May 10, 2012, Mukhtar was honored with a Google Doodle which features Nahdet el Masr to commemorate his birth date.
The Agricultural Museum
The Agriculture Museum in Cairo, Egypt is a treasure that most tourists visiting Egypt have never heard of, and never been to. It resides inside a former palace, so even the architecture is well worth taking a moment to enjoy. I think maybe the museum opened in the 1950’s, but I could be wrong about that. The museum is near the Giza zoo and the Cairo Opera House.
There are two beautiful fellaha statues outdoors on the grounds of the museum. Both celebrate the role of women in the agricultural lifestyle.
Basma Hotel in Aswan
When I go to Aswan, I enjoy staying at the Basma Hotel. Its beautiful courtyard features a large swimming pool, adorned with a statue of a fellaha carrying a balas (water jug). A walkway leads from the edge of the pool out to the statue, so it is possible to pose for a photo with her.
The Fellaha Statue that Never Was
Today, we know the French sculptor Auguste Bartholdi as the artist who created the Statue of Liberty. What many of us don’t realize is that in 1867 he had approached Ismael Pasha, the Viceroy of Egypt, with the idea of creating a massive statue of a fellaha holding aloft a torch which would be placed at the entrance of the Suez Canal. The statue would be called “Egypt – Carrying the Light to Asia”, and it would also serve as a lighthouse.
Bartholdi submitted several sketches in 1869 for his proposed statue, hoping to receive a commission in time to complete it for the Suez Canal’s opening. Unfortunately, the project never went forward due to a lack of funds to pay for it.
I hope someday to visit the Suez Canal, and when I do, I’ll take a moment to fantasize about the fellaha statue that Bartholdi had dreamed of creating for it.
About My Egypt Travels
For several of my trips to Egypt, I have traveled with Sahra Kent, through her Journey Through Egypt program. I discovered the fellaha statues shown in this post through traveling with her. I highly recommend the Journey Through Egypt program to anyone who is interested in a cultural perspective of Egypt.
I’ve been to Egypt 13 times since my first visit in 1999, and often when I tell people I’m planning another trip, they’re astonished! Many of my friends and family are mystified by this. They ask me, somewhat disbelieving, “Why???? Haven’t you seen it all already?”
The short answer is, “I love Egypt!”
The longer answer is that Egypt offers much more to appreciate than pyramids. I do find ancient civilizations fascinating, and I always enjoy returning to my favorite Pharaonic temples, tombs, and monuments. But, that’s just the beginning of what I love about Egypt.
Many spectacular historic buildings remain as testimonial of bygone times. I continue to discover beautiful architectural jewels, including mosques, houses, wikalas, cisterns, and more. This photo shows the interior of a historic Ottoman home known as Bayt Suhaymi, which was built in 1648:
I also enjoy the modern-day vibrant neighborhoods of traditional cultures, such as beautifully decorated Nubian houses. The photo below shows an interior room of a Nubian house in Gharb Saheil, a neighborhood of Aswan.
Incredible History AFTER the Era of the Pharoahs
Egypt has long been an important centerpiece of Islamic culture, and actually remains so today. From 1174 to 1517, the Fatimid Caliphate was centered in Egypt. The al-Azhar University in Cairo was founded in 970, and remains an important center of scholarship in the Koran.
In addition, Egypt was a prominent stop for trade caravans. During the time of the Crusades, Saladin built a landmark called The Citadel to protect Cairo from the Crusaders if they should ever make it all the way to Egypt. (They didn’t.)
This photo shows the minarets of the Mosque of al-Muayyad rising above Bab Zuwayla, which is a gate to the city of Cairo dating back to the 11th century.
Cairo is rich in museums that celebrate its history, such as the Citadel, the Islamic Art Museum, and the Oum Kalthoum museum. In Aswan, the Nubian Museum pays tribute to the ancient, vibrant culture of the Nubian people that coexisted with the Pharaohs.
Everywhere I turn in Egypt, I find signs of bygone times. I learn so much about history by simply learning the stories behind the places I visit.
Egypt has served as a crossroads for many ethnic groups throughout history, including the people of ancient Egypt, the Greeks, the Bedouins, the Nubians, the Amazigh of the Western Desert, and more. Each of these cultures enjoys its own distinct traditions of music, dance, textiles, and other expressive arts. I take great pleasure in attending traditional cultural shows at El Dammah Theater, the Mazaher Ensemble at Makan Theater, and the tannoura show at Wikala el-Ghouri.
Often, I’m introduced to cultural experiences that are new to me. For example, in 2016, which was my 11th visit to Egypt, I saw a Nubian music concert at the El Dammah theater featuring an instrument known as a rango. In 2018, I saw a concert of Port Said music and dance for the first time. It was also my first time of sitting at a Sufi tent in Luxor listening to the music of a zikr and watching the participants.
The photo below shows a Saidi ensemble performing at El Dammah Theater in Cairo. The musician on the left is playing a mizmar, which is a reed instrument that resembles an oboe. The one on the right is playing an arghool, which is a type of flute.
In addition, Egypt has long been a center for performing arts: music, theater, dance, and cinema. It’s still possible to visit remnants of the entertainment district of the early 20th century, including Emad el-Din Street and Azbakeya Garden. Some of these historic night spots are still open today, such as the Shahrzade next to Alfi Bek restaurant. Historically, Egypt attracted aspiring performers from throughout the Arabic-speaking world who sought fame and fortune.
Today’s vibrant night life in Cairo features some of the top performers in the Arabic-speaking world. I always enjoy going out to enjoy music and dance shows. Even though I have seen some of them before, Egypt’s top performing artists are so inspiring that I enjoy seeing them over and over. This photo from 2017 shows Dina, Egypt’s top belly dancer:
No, I Haven’t Seen it All!
There are many parts of Egypt I have never seen, which I hope to visit someday. My wish list includes the Siwa Oasis, the Fayoum Oasis, the Red Sea area, the town of Mersa Matrouh on the Mediterranean coast, the Amarna archaeological site at Minya, the Suez Canal, and the Hathor Temple at Dendera.
In addition, even when I visit sites I’ve seen before, I often notice things I didn’t previously notice. For example, on my 8th visit to the Edfu Temple I noticed something I’d never seen there before: an image of a liturgical dancer holding his arms in the goofy bent-wrist-and-elbows pose that everybody thinks is representative of ancient Egyptian dance. I’d been looking for evidence that such a dance posture actually existed in ancient Egypt for many years, but somehow never spotted it until my 2017 visit!
Most importantly of all, I have come to feel a deep affection for the Egyptian people. I have come to appreciate their warmth, kindness, and hospitality. Most of all, the Egyptian people are the reason I keep going back.
Related Blog Posts
These links lead to blog posts about some of my experiences mentioned in the above narrative:
Today’s archaeology profession estimates the Pyramids of Giza to be about 4,600 years old. However, because the pyramids are made of stone, traditional dating methods using carbon-14 can’t be used to estimate their age. There really aren’t any good ways to determine when stone structures were built by examining the structures themselves – it is necessary to rely on organic material such as human remains found inside or near the structures.
In the case of the three major Giza pyramids, bodies were not found inside, and therefore the carbon-14 dating has relied on artifacts found on the surrounding plateau, such as remains of bread in a fire pit. It’s a reasonable methodology, but it relies on the assumption that the pyramids were built at the same time as the village that surrounded them. However, what if the three large pyramids were built before the village? What if the village was built on top of something older which hasn’t been excavated yet?
What if the Pyramids of Giza are Older Than Believed?
However, perhaps a clue lies elsewhere to the age of the pyramids?
An ostrich egg was found in a tomb near Aswan that shows 3 triangular structures side by side. According to carbon dating methods, the human remains found in that same tomb were 7,000 years old. Therefore it is reasonable to think objects found in that tomb, including the egg, were equally old. Could the triangles etched on that presumably 7,000-year-old egg represent the pyramids of Giza? Some people think so, while others are skeptics. Alongside the triangles, there’s a marking that some people think could represent the Nile river and the Fayoum Oasis. But again, others are skeptics.
I haven’t seen any debate questioning that the egg itself is 7,000 years old. That seems to be accepted. The debate I’ve seen centers around what the drawing represents. Ie, does it represent the Giza pyramids, Nile River, and Fayoum Oasis as the theorists claim? Or does it represent something else?
The Meroitic Pyramids Theory and Why It Doesn’t Fit
Some skeptics have suggested that the 3 triangles might represent the Nubian pyramids of Sudan in the Meroitic kingdom of Kush. However, the Sudanese pyramids marked tombs, and were built much more recently (4,600 years ago) than the tomb the ostrich egg was found in (7,000 years ago).
The Nubian pyramids are also much farther south than where the egg was found, in what (during ancient times) would have been a different kingdom from the one governing the Aswan area where the egg was found.
Seeing the Egg for Yourself
Today, the ostrich egg resides in the Nubian Museum in Aswan, Egypt. I had the pleasure of seeing it firsthand myself on May 6, 2018 while I was in Aswan. It’s fascinating to look at this 7,000-year-old object and try to come up with alternate theories for what the image is showing. So far, I keep coming back to the conclusion that maybe it does prove that the Pyramids of Giza are older than what mainstream archaeologists currently believe.
I look forward to seeing how future discoveries enhance our insight into the past.
A Nilometer (Nile-o-meter) is a structure in Egypt for measuring how high the annual flood of the river Nile rises each year. Before the 20th century, each year the Nile River would flood in the spring, spreading silt across the land it covered. This inundation brought life to the region, because the silt it deposited enhanced the fertility of the soil.
The government used the Nilometer readings to determine the taxes for that year. If the flood level was measured as low, then taxes that year would be low, due to reduced rich silt deposits and possible drought. If the flood level was medium, taxes that year would be high, because medium was the ideal level. If flood level was high, there would be no taxes because the flood was destructive and people needed to recover.
In my travels to Egypt, I’ve seen 3 different Nilometers. There are others that I have not (yet) had the opportunity to see, but perhaps I’ll get to see them on a future trip! I’ve seen reports that as of today there are fewer than 24 known Nilometers which have been found by archaeologists.
The Nilometer in Cairo is on Rhoda Island, a short walk from the Oum Kalthoum Museum. If you visit Cairo, it’s worth a trip to the island to visit both.
This Nilometer is one of the oldest structures in Egypt built after the Arab conquest. The original building at this site was erected in 751 CE, though archaeologists believe there was probably an older Nilometer at this site in Pharaonic times. This initial structure was destroyed by a heavy flood in 861 CE, so the Abbasid Caliph al-Mutawakkil commissioned the current building to replace it.
Although the subterranean portion of the ancient building still stands, its dome was destroyed in 1825 by a nearby explosion. A restoration was created, using a painting by Fredrik Ludvig Nordenas to provide guidance on what the original looked like.
The instrument for measuring the water’s height is an octagonal column divided into cubits located in the middle of the square stone-lined shaft. This photo shows the central shaft, as you look down from the street-level entrance:
Today, the tunnels leading from the Nilometer to the Nile are blocked off, and therefore water no longer comes in.
It is possible to descend a flight of stairs into the shaft. There are no handrails along the stairs, so it requires an adventurous spirit to do it! The interior is beautiful.
This Nilometer is located at the temple in Kom Ombo, Egypt, a town that lies between Luxor and Aswan. This is one of the temples that Nile cruises stop at, and it’s a very interesting one to tour because it’s dedicated to TWO gods, Horus the Elder and Sobek.
The Nilometer at Kom Ombo is a deep, cylindrical opening into the ground. At ground level, it doesn’t look like much, just a small circular wall.
It has a tunnel at the bottom that reaches outside the temple walls to allow the flood water to come in.
I have seen this Nilometer near Aswan from a boat on the river, as we floated past Elephantine Island where it resides. I haven’t yet set foot on the island to see its entrance from above. Archaeologists believe it is the oldest Nilometer in Egypt.
For most of ancient Egyptian history, Elephantine Island was the southern border of the Pharaonic kingdom. For that reason, the flood waters would reach this Nilometer first, before flowing downstream to the rest of the kingdom. It provided early insight into what growing conditions the country as a whole could expect.
This Nilometer at Elephantine Island was mentioned in the novel River God, by Wilbur Smith.
Ones I Haven’t Seen
Someday, I hope to see other Nilometers in Egypt. There’s one in the Nile delta at the ancient city Thmuis, which is near the modern city of El Mansoura. Archaeologists estimate it was build in the 3rd century BCE. I learned about this one from a National Geographic article about it.
The beautiful temple of Isis that resided on Philae Island had two Nilometers. However, in the 1960’s, because of Aswan Dam constructions, about 1/3 of the temple’s buildings became flooded year round. The Philae temple was dismantled and moved to Agilkia Island as part of the UNESCO effort to save temples threatened by the completion of the Aswan High Dam. I don’t know yet whether Philae’s surface-level Nilometer structures were moved and reconstructed when the temple was moved. I have toured Philae about 5 times on my various trips to Egypt, and the guides didn’t point out any Nilometer remnants. Even if they did, it would be only surface level, without the deep hole down into the ground. I’ll ask about it the next time I go.
I’d like to thank Wael Mohamed Ali for assisting me with my questions about the Nilometers in the Aswan area. I’ve appreciated Wael’s services on some of my visits to Upper Egypt as a tour guide and a translator. He’s very knowledgeable, and a pleasure to do business with!
Because of Dakar, Senegal’s location on the western tip of Africa as shown on the map above, it served as one of many ports along West Africa used in the trans-Atlantic slave trade from 1536 through 1848. Just off Dakar’s coast is Gorée Island, one of the locations where captured Africans were kept before loading them onto the ships. Its name in French is Île de Gorée. Academic sources differ in their views of how prominent Dakar and Gorée Island were in the slave trade as compared to other West African locations, but most agree that some level of trafficking did occur here. Today, this UNESCO World Heritage site stands to remind us of the atrocities of the African Holocaust.
Barack and Michelle Obama visited Gorée Island with their family in 2013. Nelson Mandela visited it in 1991.
Getting to Gorée Island
I went to Gorée Island on a Saturday, and found that it wasn’t a optimal day of the week to go. Many tour groups go there on the weekends, and consequently the process of touring the island and its historical sites can be a bit chaotic. Some of my coworkers opted instead to go on a Wednesday, and they enjoyed much lower crowd levels.
A ferry boat runs several times a day to take visitors to Gorée Island. On a Saturday, it’s important to arrive at the ferry ticket counter at least 45 minutes before the ferry’s departure time, because the lines to purchase tickets are quite long. If you don’t allow enough time, the ferry might leave while you’re still standing in line waiting to buy your ticket.
Reflecting on History
When the ferry docked, one of the first sights we came to was the Statue of Liberation. France gave this sculpture to Senegal in 2006 as a gift to commemorate the abolition of the slave trade.
The House of Slaves (La Maison des Esclaves)
The primary feature that people visit on Gorée Island is the House of Slaves. This is a museum that memorializes the African people who were imprisoned there awaiting their passage to the West. Although the first record of slave trading at Gorée Island dates from 1536, the building that is known as the “House of Slaves” was built in 1776. It is the last remaining such structure on the island.
Some academic sources challenge whether this building was ever actually used for the slave trade. There is also a debate over how many people were shipped out from Gorée Island as opposed to other West African ports. I am not qualified to judge who is correct. Therefore, for purposes of this blog which is about my travels to Senegal, I will describe what the Senegalese people believe about their own history, which is that the House of Slaves was indeed one of the places used as a place to keep prisoners until they could be loaded on ships bound for the Western Hemisphere.
The building is a two-story structure. Wealthy European slave dealers lived with their families on the upper floor, while the captives lived on the ground floor in misery.
According to the guides at Gorée Island, men were held in one cell, adult women in one, girls in one, and young children in a fourth. The photo below shows the room that was used for the men. Its dimensions are approximately 8 feet (2.6 meters) long by 8 feet wide, and up to 30 men would be crammed into it at once. The men would need to stand or crouch all the time, with not enough room to lie down or sit. The room contains no toilet facilities, and therefore its occupants were forced to live in their own filth.
Parents were separated from their children. Adult women were held in one room, and young children in a separate cell for children. Young girls were kept in a special room with slightly better conditions than the others. Men would come to that room to select a girl for an evening of sexual assault.
All of the captives were kept chained and shackled, and fed once a day. The unsanitary conditions led to many problems with disease. The narrow windows allowed in very little light.
When I later read claims by some historians that enslaved people were never kept in the Maison des Esclaves awaiting passage to the West, I remembered gazing at the thick walls and narrow windows, thinking at the time how perfectly constructed they were to prevent escape. The architecture definitely brought to mind some sort of dungeon. Historians may be correct that this site hosted less trafficking activity than others in West Africa, but I believe there was some.
Prisoners who attempted to escape or rebel were moved to the “room of the recalcitrants” as punishment. This was a small, damp, windowless room that lay beneath a stairwell. The tour guides said that few made it out alive.
Historians estimate that prisoners were typically kept at the House of Slaves about 3 months before being loaded onto ships.
The Door of No Return (La Porte Sans Retour)
Tour guides at Gorée Island state that this door led to a wooden wharf used for loading the captives onto the slave ships.
According to tour guides, as prisoners were led through this door and onto the walkway to the slave ships, they were shackled in pairs, each with a 3-pound iron ball attached to his or her leg irons. Prisoners who tried to leap off the walkway to escape would drag along the companions that were shackled to them.
A rocky beach (shown below) lies beneath the walkway. According to tour guides, if a prisoner managed to make it to the water, the iron ball would prevent them from swimming to freedom. Still, guides say some people did make the attempt, often choosing suicide as being preferable to the fate that awaited on distant shores.
There are many additional things to visit on Île de Gorée besides its House of Slaves museum. There are small beaches, picturesque colonial buildings, restaurants, and more. However, I did not visit any of these things.
While visiting the House of Slaves, I felt a strong sensation of oppression, of suffering. The last time I felt something like that was when I visited the concentration camp at Dachau, Germany. A feeling that great evil had happened there. I felt a very strong pull to get away, and return to the mainland. Was it lingering spiritual energy of those who suffered there in the past, or simply an overactive imagination? I can’t say. Whichever it was, it was strong enough to draw me to the ferry, without exploring the rest of the island.
Despite the debate by historians on this island’s history and role in the trans-Atlantic slave trade, I highly recommend it as a place to visit if you are visiting Senegal. I recommend walking through the House of Slaves, looking at the holding cells with their narrow slits for windows, listening to the tour guides, and gazing out through the Door of No Return. Doing these things brings a strong awareness to the history of the African diaspora that simply reading a textbook does not. It’s a place to reflect, and to honor the memory of those who suffered.
I hope someday to return to Senegal for another visit, and if I do perhaps I’ll return to Gorée Island to see the parts I didn’t visit on this trip.
A fascinating site to visit in Senegal is Lac Rose, which is French for “Pink Lake”. Its actual name is Lake Retba, but because of its pink color, it picked up the nickname.
Interestingly, this lake doesn’t always look pink. The color depends on variables such as weather conditions, time of year, and the state of the algae that give the lake its pink appearance. Two weeks before I went to Lac Rose with some of my IBM colleagues, a few other people from our group went. They were disappointed because it wasn’t pink the day they saw it. However, lucky for us, it was pink the day we went!
The conditions required to make the pink color include a combination of dry weather, high salt content in the lake (higher concentration than sea water), warm temperatures, and bright light. This is because the lake acquires its pink color from beta carotene manufactured by a type of microalgae called Dunaliella salina, and these weather conditions help the algae to thrive. One of our local friends also told us that the pink color is more apparent when there’s a bit of wind to cause ripples in the lake’s surface. Weather can vary, so that’s why some visitors see the pink color and others do not.
At times, the lake can look orange, again because of the beta carotene. It seemed as though the shallow water near the shore was more likely to look orange, whereas the deeper water out in the lake looked pink.
The day we went, temperatures had recently been in the 90’s (Fahrenheit) or low 30’s (Celsius). There had been several days in a row of bright sunlight, and dry weather. There was a breeze stirring the surface of the water a bit.
One of the more spectacular landmarks in Dakar, Senegal is the African Renaissance Monument, known in French as Le Monument de la Renaissance Africaine. It shows a man, woman, and child emerging from a volcano. It sits high on a hill overlooking the Atlantic Ocean. At 160 feet (45 meters) tall, it’s the tallest statue in Africa, making it taller than the Statue of Liberty.
At the time this status was unveiled in 2010, marking 50 years of independence from France, Senegal’s President Abdoulaye Wade said, “It brings to life our common destiny. Africa has arrived in the 21st century standing tall and more ready than ever to take its destiny into its hands”. The event featured hundreds of drummers and dancers. I would have loved to have seen that!
Many people in Senegal were not supportive of the statue, criticizing it for various reasons. For example:
Local Senegalese artists criticized the fact that the contract to design it was awarded to a Romanian architect and the contract to build it was awarded to a North Korean company. Why not use local talent?
Some have pointed out that the facial features don’t look particularly African.
It cost $27 million dollars, which was a big concern in a country where many live below the poverty line.
The skimpy clothing of the family does not represent the more modest preferences of the country’s Muslim majority. (95% of Senegalese people are Muslim.)
We had a chance to see this statue up close during our city tour on October 7, 2017, which is when I took this photo. At night, lighting effects give it a beautiful glow.
It’s possible to pay an entrance fee and go inside it. I did not do this during my visit. There are stairs you can take to the top, and look out of windows in the man’s crown.